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Refresh for latest…: Disney/Pixar’s Onward topped the global and international box office chart this weekend, but came in vastly below projections. A $68M worldwide start includes just $28M from 47 material offshore markets. That’s well under the $40M-$55M range the industry was seeing ahead of the weekend. The spread of the coronavirus, and the fears
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There was a stampede of new titles opening this weekend at the specialty box office, and despite coronavirus-induced fears of being in close proximity in theaters, there weren’t any glaring slumps in the indie and arthouse space. Of the films released this weekend, First Cow made some moo-ves at the box office, earning an estimated
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A24 is ready to milk the weekend with their new film First Cow from director Kelly Reichardt. The film isn’t about a presidential cow, but it is about a special bovine creature. Set in the 19th century, the film follows a lone cook (John Magaro) as he travels west with a group of fur trappers. Out
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Disney/Pixar’s Onward made $2 million on Thursday night in box office previews, according to the Burbank, CA studio, from shows that started at 6 PM. Previous previews around this range include Disney’s Dumbo ($2.6M, $45.9M opening), Monsters University ($2.6M, $82.4M opening), Moana (which previewed on a Tuesday before Thanksgiving with $2.6M, 3-day of $56.6M, 5-day much greater due to Thanksgiving
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EXCLUSIVE: A24’s religious horror movie Saint Maud is flying from April 3 to April 10 after MGM/Eon/Universal’s No Time to Die departed this morning to Thanksgiving. Saint Maud is the second wide entry today after Dreamworks Animation’s Trolls World Tour (which was originally scheduled for April 17) to fill the vacancy left behind by Bond 25.
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“We are in uncharted territory.” Those are the words from one exhibition source this morning to Deadline in the wake of MGM/Eon/Universal’s shocking shift of No Time to Die from its April 10 Easter global launch date to Thanksgiving, largely due to those Asian markets effected by the coronavirus. Don’t doubt this for a second,
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Sony has dated Melanie Laurent’s feature adaptation of Kristin Hannah’s international bestseller The Nightingale for December 25, 2020. With the Christmas debut of Greta Gerwig’s PG-rated Little Women last year, Sony saw a multitude of women flock to that movie, which grossed more than $203 million worldwide and earned six Oscar noms, winning one for Costume Design.
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Paramount/Skydance’s long-awaited sequel Top Gun: Maverick will fly on Wednesday, June 24 instead of Friday, June 26. That’s standard for Paramount to take a big summer event tentpole out on a Wednesday, ala their Transformers movies and even the Tom Cruise Steven Spielberg directed 2005 hit War of the Worlds.  The pre-Independence Day weekend is crowded already with Dreamworks
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Refresh for latest…: Universal/Blumhouse’s The Invisible Man made its first appearance at the international box office this weekend, scaring up $20.2M in 47 markets. Combined with the strong domestic start, the Leigh Whannell-directed pic debuted to $49.2M globally. In like-for-like offshore openings, the Elisabeth Moss-starrer is tracking in line with Lights Out, A Quiet Place
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Impractical Jokers: The Movie isn’t pranking us when it comes to their box office performance. After having a stellar opening last week, the big-screen adaptation of WarnerMedia’s truTV prank show expanded from 357 to nearly 1,800 theaters and earned an estimated $3,545,000 to bring its cume to $6.6 million. The movie has now cracked the top 10
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The specialty box office is headed towards the second star on the right and straight on till morning with Benh Zeitlin’s magical adventure Wendy, a fresh reimagination of J.M. Barrie’s classic tale of Peter Pan. The pic from Searchlight Pictures is Zeitlin’s follow up to his Oscar-nominated Beasts of the Southern Wild, which was released
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Warner Bros has just dated John Lee Hancock’s cop thriller The Little Things for a January 29, 2021 release. The distributor already had the date reserved with an untitled film. The movie, which starts Denzel Washington and Rami Malek, is now going up against Paramount’s animated monster-wrestling movie Rumble on that date. The pic, written by Hancock,
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Universal–Blumhouse’s The Invisible Man made its first appearance Thursday night at 7 PM shows nationwide with $1.65 million, an an amount of cash that’s near both studios’ previous collaborations, Get Out ($1.8M Thursday) and Split ($2M). Both 2017 titles overperformed their $20M-predicted tracking at the time, with Split posting a $40M start, and Get Out taking $33.3M. Invisible Man, directed and written
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