EXCLUSIVE: In step with domestic, Walt Disney Animation Studios’ Strange World will make its offshore theatrical debut this week, and is eyeing an overseas start in the $21M-$29M range. That’s lower than where a new animated movie from Disney might normally kick off, but the studio has taken a voluntary pass on more than 20
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Call it a holiday tradition as common as sweet potatoes on the Thanksgiving table, but Disney is going to rule the five-day holiday stretch again after wins in 2016 (Moana), 2017 (Coco), 2018 (Ralph Breaks the Internet), 2019 (Frozen 2) and last year (Encanto), as Black Panther: Wakanda Forever‘s third weekend looks to do $40M
Among those quite happy with the re-installment of Bob Iger as Disney’s CEO was exhibition giant, AMC’s Adam Aron, who took to Twitter in the wake of the news exclaiming, “Based on box office grosses, Disney is the biggest film maker of any movie studio. Bob Iger coming back to again lead Disney as its
When a film as heavily promoted and well-regarded as Universal’s She Said gets body-slammed at the box office, it’s wise to pay attention. This weekend, the journalism procedural drama, about the pursuit of sexual predator Harvey Weinstein by two reporters from The New York Times, will take in perhaps $2.27 million in 2,022 theaters. That’s
Refresh for latest…: In its sophomore frame, Disney/Marvel’s Black Panther: Wakanda Forever sent its worldwide cume well past the $500M mark, with an estimated $546.3M through Sunday. The split is $288M domestic and $258.3M from the international box office. The Ryan Coogler-directed sequel is currently the No. 8 highest-grossing Hollywood release of 2022 overseas. Globally,
Luca Guadagnino’s Timothée Chalamet-starring, edgy cannibal road trip romance Bones And All pulled in young demos (79% in the 18-34 rage) and women (54%-46% female) for an opening weekend gross of $120k, or $23.9k per screen average in five theaters. That’s respectable and in line with distributor UAR expectations although below recent debuts including Banshees
A new crop of prestige titles plant a flag at the arthouse in limited release this weekend from Luca Guadagnino’s Bones and All to Jerzy Skolimowski’s EO, to Elegance Bratton’s The Inspection. Greenwich Entertainment opens doc Love, Charlie: The Rise And Fall Of Charlie Trotter IFC Films presents Bad Axe and Cohen Media Group is
“The donkey is cute, but this is not a Disney movie,” said Jonathan Sehring, the former IFC Films head whose young distribution outlet Sideshow, with Janus Films, presents Jerzy Skolimowski’s Cannes Jury Prize winning EO at two NYC theaters this weekend. “We launched Sideshow for great movies that would otherwise get overlooked to give them
EXCLUSIVE: Searchlight’s absurdist genre horror comedy got off to a promising start with $1M+ in Thursday night previews, we hear. That number is up there with recent comps such as Barbarian, which did $850K on its Thursday night before a $10.5M opening, and The Northman, another Anya Taylor-Joy movie, which posted $1.35M before a $12.2M
The 18-24 demographic has been a cornerstone to the domestic box office as it resurges from the pandemic, and that Gen Z crowd plans to go this holiday season, according to a recent Fandango survey of 1,000 participants. Of those polled, 96% identified moviegoing as a favorite way to spend time outside of their home,
Editor’s note: Deadline presents the 40th episode of its video series Take Two, in which Pete Hammond and Todd McCarthy tackle the artistry of films just opening in theaters every weekend. Each has reviewed and written about the craft for decades and built a remarkable breadth of knowledge of films past and present. What we hoped for
EXCLUSIVE: The 3x Gotham Award nominated drama from Sarah Polley is moving its exclusive opening date from Dec. 2 to Dec. 23, that weekend when moviegoing ratchets up after moviegoers get through their holiday distractions. United Artists Releasing’s Women Talking follows women in an isolated religious community who are grappling with reconciling a brutal reality
A very vibrant runway leading into Thanksgiving for sure for movie theaters as Black Panther: Wakanda Forever is headed for a second weekend down around -60% for $70M-$72M. Through five days, the Ryan Coogler-directed Disney and Marvel Studios sequel has amassed $204.8M with Tuesday earning $12.4M, the third best Tuesday of November after Frozen 2
The success of Hocus Pocus 2 as the most watched Disney+ movie of all-time with a first weekend of 2.7 billion views viewed spurred many to question whether the sequel to the near 30 year old movie should have gone theatrical, especially during a dry spell at the fall box office when theaters were desperate
Strengthened by the worldwide release this past weekend of Disney/Marvel’s Black Panther: Wakanda Forever, the Walt Disney Studios has crossed the $3B box office mark globally for the year so far. This is the 14th year that Dis has achieved the milestone and surpasses last year’s full total of $2.9B. Films that have contributed to
A busy week on Broadway saw three official openings (including the Take Me Out return) and three additions to the line-up of previewing productions, with grosses for the 34-show roster jumping by 8% (to $32,314,920) over the previous week. Attendance for the week ending Nov. 13 was up 11% to 272,232. Starting with the openers,
EXCLUSIVE: Streaming stat sources tell us that the Olivia Wilde directed movie, Don’t Worry Darling, has pulled in roughly 2.7M households in both Smart TVs and mobile viewing in its first week on HBO Max. The Florence Pugh-Harry Styles-Chris Pine movie hit HBO Max after a robust 53-day theatrical window and a global gross of
The fruits of Disney’s industry-reported $100M+ promotional partner campaign on Black Panther: Wakanda Forever have been yielded, not just in a November U.S./Canada box office opening record of $181.3M and 12.7M admissions but in stoking a diverse range of demographics including Black, Latino/Hispanic and older women to cinemas in droves this past weekend. The media
The Fabelmans grossed an estimated $160k this weekend at four theaters in NY and LA. That’s a $40K per screen average, on par with recent strong (for post-Covid) specialty openings like The Banshees Of Inisherin (at $45k PSA) and Tár (also $40k), both on four screens too, reflecting a definite pickup in the specialty space. Spielberg’s written, directed
Imax CEO Richard Gelfond is opening up about how important the theatrical window is and how he thinks some streaming services are realizing it now. “The debate is over,” Gelfond said in an interview with Yahoo Finance Live. “The argument that you can skip a theatrical window and make up for it on streaming just
Universal Pictures is giving Steven Spielberg’s The Fabelmans a platform release starting with four locations in NYC (Lincoln Square, Union Square) and LA (The Grove, Century City) with a robust media campaign aimed at cinephiles, but also capitalizing on the broad appeal of a Spielberg production, testament to unusual pedigree of the semiautobiographical film. It premiered in
As expected, Disney and Marvel Studios Black Panther: Wakanda Forever is on fire with a $28M Thursday which easily beats the preview night of the first Black Panther in 2018 which did $25.2M. Wakanda Forever ranks as the third best Thursday preview of the year behind Doctor Strange in the Multiverse of Madness ($36M) and
Disney/Marvel’s Black Panther: Wakanda Forever got out to a $10.1M start in 17 international box office markets on Wednesday. This is ahead of continued offshore rollout through Friday and the sequel’s domestic debut on Friday (domestic previews start Thursday). In like-for-likes, the first day overall results are estimated to be 225% ahead of Black Adam,
Editor’s note: Deadline presents the 39th episode of its video series Take Two, in which Pete Hammond and Todd McCarthy tackle the artistry of films just opening in theaters every weekend. Each has reviewed and written about the craft for decades and built a remarkable breadth of knowledge of films past and present. What we hoped for
Nickelodeon Animation and Paramount have set 2025 theatrical release dates for a new SpongeBob Squarepants movie and Aang Avatar title. The fourth SpongeBob big screen feature will debut in cinemas on May 23, 2025 while Aang Avatar will open on Oct. 10, 2025. To date, the three SpongeBob movies, the first which kicked off in
Despite the presence of New Line’s Black Adam and Universal’s franchise title Halloween Ends at the October box office, the drought we’ve been weathering since the second frame of August with U.S./Canada weekend ticket sales averaging $58M has been stinging to say the least. But here comes Disney Marvel Studios’ Black Panther: Wakanda Forever to
Two of the fall Broadway season’s buzzy new musicals – A Beautiful Noise, The Neil Diamond Musical and Some Like It Hot – began previews last week, both doing solid business in their first, partial weeks. A Beautiful Noise pulled in an impressive $845,074 for five performances, filling 88% of seats at the Broadhurst with
UPDATED with conference call comments: AMC Entertainment CEO Adam Aron shrugged off Covid, streamers and windows as real issues for exhibition currently, saying the biggest challenge facing the industry “above all else, is that movie theater operators need more movies.” “At this point, there is only one topic that should be… on the tip of
Advance ticket sales through Sunday for Disney-Marvel Studios’ Black Panther: Wakanda Forever stand at $45M, about 20% behind Doctor Strange in the Multiverse of Madness at the same point in time and 40% ahead of Thor: Love & Thunder. Doctor Strange 2 before its domestic opening of $187.4M had $85M in advance sales, while Thor:
The nation’s biggest cinema advertising network National CineMedia saw revenue rise and losses narrow last quarter as executives cited brisk sales of movie theater ads and insisted that it’s business as usual fo now, even as part owner and major client Regal is swept up in bankruptcy. “From our perspective, nothing has changed on a
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