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Oscar-nomination afterglow for this year’s Best Picture contenders was largely felt more in the home than it was at the box office, with a majority of titles already available to be viewed on the couch except for 20th Century Studios/Disney’s 3D title Avatar: The Way of Water. Since noms were first announced on January 24
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Paramount/Spyglass Media’s Scream VI is headed to a franchise-record opening of $50M+ worldwide from roughly 50 offshore territories including domestic. The most recent Scream pic opened to $48M WW, $30M from U.S./Canada last year. The highest opening for the Kevin Williamson-conceived horror series was Scream 3, which opened to $34.7M domestic in 2000. Scream VI,
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The revival of Sweeney Todd: The Demon Barber of Fleet Street, with Josh Groban and Annaleigh Ashford in previews at the Lunt-Fontanne, is firmly in Broadway’s $1 million club, with receipts for the week ending March 5 at a bloody good $1,526,254. And that’s just for six performances. The Stephen Sondheim-Hugh Wheeler musical filled every
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Refresh for latest…: MGM’s Creed III is enjoying a knockout opening weekend, punching up $100.4M globally. Of that, $41.8M is from 75 international box office markets. Domestically, the Michael B Jordan-directed movie opened to a franchise record and the best debut ever for a sports title. Internationally, this is also the biggest opening for the
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The power of a wide theatrical release was realized this weekend by streamer Amazon in its pivot back to the big screen with MGM/United Artists Releasing’s Creed III. It easily minted the best opening ever for the Seattle-based parent, as well as for the Rocky franchise, with $58.6M domestic, $100.4M worldwide. While Amazon has snapped
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UPDATED, Friday PM: Amazon, as it re-embraces theatrical with its acquisition of MGM, will easily see the company’s biggest box office opening ever with Creed III, which is headed to a franchise record start of $45.5 million after a $20M Friday (including $5.45M in previews). Creed III‘s opening day alone is bigger than any previous
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The National Association of Theatre Owners on Thursday said it has appointed Michael P. O’Leary president and CEO of the association beginning May 1. He takes over for outgoing NATO boss John Fithian, who announced his retirement in October after working with the exhibitor trade org for three decades. “On behalf of NATO’s Executive Board
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Sony has just dated Jeymes Samuel’s biblical-times feature The Book of Clarence for September 22 this year. Inspired by classic Hollywood epics set in biblical times, Legendary’s The Book of Clarence tells the tale of Clarence (LaKeith Stanfield), a down-on-his-luck denizen of Jerusalem embarking on a misguided attempt to capitalize on the rise of celebrity and influence of
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AMC Entertainment will debut its new retail popcorn line at hundreds of Walmart locations on March 11 –  Academy Awards weekend, the company announced this morning. CEO Adam Aron’s latest push to diversify the giant movie chain, from a gold mine to an AMC-branded credit card, will include three flavors of both microwave and ready-to-eat
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Some recent Broadway arrivals added both star power and box office receipts to the weekly grosses reports, with both Sweeney Todd: The Demon Barber of Fleet Street and Parade selling out (the latter despite some loudmouthed neo-Nazi protesters), and A Doll’s House starring Jessica Chastain and Andrew Lloyd Webber’s Bad Cinderella coming close. The musical
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AMC Entertainment CEO Adam Aron said the new Sightline ticket pricing regime the chain’s trying out in three markets has the potential to expand the moviegoing market and prevent future price hikes. “We are in inflationary times, and inflationary times cause costs to rise,” he said. “Under the pre-Sightline structure of the industry, if we
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“‘Nobody likes to watch people getting eaten by lions.” Apparently this was the response by the late Sumner Redstone during his National Amusement exhibition days after he saw a screening of the 1981 Tom Skerritt lion movie, Savage Harvest, relayed to me by an exhibition source who overheard him. As funny as Redstone’s reaction was, it’s
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Refresh for latest…: Coming out of its second weekend, Disney/Marvel’s Ant-Man and The Wasp: Quantumania has grossed $363.6M globally. Of that, $167.3M is from domestic and $196.3M from the international box office. The sophomore overseas frame was $46.4M in 52 markets with a slighter drop than in North America, coming in 57% behind last weekend’s
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The Quiet Girl, an Oscar contender for Best International Feature, opened to a robust $60k on six screens this weekend for a per-theater average of $10k. The film by Colm Bairead presented by SUPER LTD is based on the short story by Claire Keegan of a shy nine-year-old girl in rural Ireland. It led debuts
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Amazon’s upcoming wide release of Ben Affleck and Matt Damon’s Nike movie Air exclusively in theaters in April “could represent the start of a substantive move into theatrical exhibition by streaming companies,” said Sean Gamble, chief executive of nation’s third-largest movie chain. Amazon last month releaves plans to give Air a wide theatrical release April
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Super LTD presents Best International Feature Oscar nominee The Quiet Girl and, as the Academy Awards approach, RRR ramps up again and Navalny returns to theaters for one-week run. Also opening, Aaron Eckhart in Ambush, Charlotte Rampling in Juniper and comedian Jim Gaffigan as the host of a failing children’s science TV show in Linoleum.
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Warner Bros/New Line/DC’s sequel Shazam! Fury of the Gods hit early tracking Thursday and surprised many with a low projection of $35 million, which is under the first installment’s $53.5M opening in 2019. Realize it’s still early, and Warner Bros hasn’t fully fire-breathed its marketing campaign yet. The odd thing is that tracking was comping
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NATO will present Christopher Nolan and Emma Thomas with its Spirit of the Industry Award at CinemaCon in April for the event’s closing night Big Screen Achievement Awards. It comes as the Nolan written-directed Oppenheimer is set for theatrical release July 21 from Universal Pictures. Produced by Thomas, Atlas Entertainment’s Charles Roven and Nolan.  “I am
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Imax said today it expects to return to its pre-pandemic gross box office level of $1.1 billion in 2023, even as it reported revenue of $98 million for last year’s fourth quarter, down 10% from the year before. Earnings per share fell to 19 cents from 31 cents. CEO Rich Gelfond attributed the dip to the Chinese
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