Cohen Media Group hopes a Spanish film can dent the tough market for foreign language fare, Bleecker Street is out with a hostage drama and A24 presents Owen Kline’s directorial debut about a teenage cartoonist as the arthouse market flexes more muscle than it has in weeks. The dearth of new releases itself nudged some
A24
Lionsgate thriller Fall will make an estimated $2.5+ million this weekend at 1,548 locations for a PSA of about $1,618. The audience (54% male and 61% over 25, according to PostTrak) was broader than it might have been after a company founded by director Scott Mann swapped dozens of f-words, moving Fall from an R
A24’s Bodies Bodies Bodies hit theaters with the per-screen average this weekend in a limited opening, and the second best of the year. That record was set last spring with Everything Everywhere All at Once as the indie distributor piles up successes. Halina Reijn’s Gen-Z whodunnit comedy grossed $226,526 on six screens in NY and
A24’s highest grossing movie ever, the martial arts fantasy Everything Everywhere All at Once, is going wide again in cinemas on July 29. The latest cut from Dan Kwan and Daniel Scheinert, which took off like a rocket ship from its SXSW world premiere, will include a new introduction from the filmmakers and eight minutes of
Focus Features’ Mrs. Harris Goes To Paris will hit an estimated $1.9 million weekend gross at 980 theaters drawing women with those 55 years of age and older repping 44% of the total. Turnout was best on the coasts for the drama starring Leslie Manville and Isabelle Huppert. That’s a PSA of $1,939 and a
A24’s Marcel The Shell With Shoes On hit the top ten in North America at no. 8 with an estimated $340k in week three at just 48 locations and a cume north of $963k – the latest hit for the distributor after powerhouse Everything Everywhere All At Once blasted off at the specialty box office.
EXCLUSIVE: Deadline has just heard that A24 had set theatrical release dates for their fall film festival critically acclaimed titles, C’mon C’mon from Mike Mills on Nov. 19, and Sean Baker’s Red Rocket on Dec. 3. C’mon C’mon, starring Joaquin Phoenix as a radio journalist who embarks on a cross-country trip with his young nephew (Woody Norman), made its world
Following The Humans premiere at the Toronto Film Festival, where it currently counts 85% positive on Rotten Tomatoes, A24 said Friday that Stephen Karam’s feature adaptation of his 2016 Tony-winning play will open in theaters and air on Showtime on November 24. It also dropped a trailer. The Humans follows Erik Blake (Richard Jenkins), who has gathered
EXCLUSIVE: Hot off today’s London Critics’ Circle Film Awards where it scored eight nominations, Saint Maud from A24, will be hitting theaters in a limited release on Jan. 29. Additionally, I hear EPIX went after the movie strongly for a Pay TV-all platform release on Feb. 12 in a deal that was estimated to be
It really hasn’t been broadcasted widely, but Sofia Coppola’s latest dramedy from Apple/A24, On the Rocks, is opening in key markets next weekend, Oct. 2. I hear it will be a very limited run followed by a debut on the AppleTV+ streaming service on Oct. 23. The movie made its world premiere at the New York
As theaters shutter and big studio films postpone wide theatrical releases, indie and arthouse films are trying their best to navigate the waters of the coronavirus outbreak. Like big banner titles, many indie films that were set to release this weekend are opting to delay their debuts, while a handful are opting for a digital
EXCLUSIVE: A24’s religious horror movie Saint Maud is flying from April 3 to April 10 after MGM/Eon/Universal’s No Time to Die departed this morning to Thanksgiving. Saint Maud is the second wide entry today after Dreamworks Animation’s Trolls World Tour (which was originally scheduled for April 17) to fill the vacancy left behind by Bond 25.