Where the Crawdads Sing

Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream
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In an encouraging sign for specialized product, Sony/3000 Pictures/Hello Sunshine’s Where the Crawdads Sing has crossed the $100 million benchmark globally. Getting there on Tuesday, the feature adaptation of the Delia Owens novel sits at $78.8M domestic and $21.5M from the international box office. Crawdads initially released domestically in mid-July with $17M; a good win
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Sony/3000 Pictures/Hello Sunshine’s Where the Crawdads Sing is off to a great start in the pandemic, particularly for a female-skewing property, with $2.3M off Thursday showtimes that began at 3PM in 3,150 theaters. Again, previews aren’t always a perfect science for smaller movies at the box office, especially during Covid, but it’s interesting to note that the
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Disney/Marvel’s Thor: Love and Thunder will continue its reign atop the weekend box office in its second session, with on the low-end an anticipated 65% decline or $50M from its $144M opening. The movie is easily heading past $200M in the next three days, and yesterday grossed an estimated $13.6M for a running total that’s just under
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Before Spider-Man: No Way Home dominates the world this weekend and 2022 sets in, Sony has moved its David Leitch directed Brad Pitt action movie Bullet Train and Hello Sunshine production Where the Crawdads Sing to July, respectively July 15 and July 22. Bullet Train was previously scheduled on April 8 next year, while Crawdads was on June 24. Bullet Train travels away from
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Sony, which was last seen at CinemaCon in 2018, brought the confab back to post(ish)-pandemic life today. Its President of the Motion Picture Group, Josh Greenstein, took center stage and reiterated the Culver City lot’s “commitment to protecting and preserving the theatrical window.” That drew a great roar from the Caesar’s Palace Colosseum crowd. Despite
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