EXCLUSIVE: Updated with figures for Infamous…For a second time, Universal/Blumhouse’s Elisabeth Moss horror movie The Invisible Man has taken the top spot at the box office. That win, in the pic’s 16th weekend, reps its second No. 1 finish since opening over the February 28-March 1 weekend, thus stepping on the nine-week streak of the studio’s DreamWorks
The Invisible Man
The coronavirus pandemic has taken a major toll on Hollywood, as social distancing and shelter-in-place orders across the U.S. have led to release date delays, production shutdowns, theater closures, and, as a result, record-low movie ticket sales. In response to the crisis and theatrical closings, several film studios have been taking proactive measures to ensure
Refresh for latest…: Disney/Pixar’s Onward topped the global and international box office chart this weekend, but came in vastly below projections. A $68M worldwide start includes just $28M from 47 material offshore markets. That’s well under the $40M-$55M range the industry was seeing ahead of the weekend. The spread of the coronavirus, and the fears
Disney/Pixar’s Onward made $2 million on Thursday night in box office previews, according to the Burbank, CA studio, from shows that started at 6 PM. Previous previews around this range include Disney’s Dumbo ($2.6M, $45.9M opening), Monsters University ($2.6M, $82.4M opening), Moana (which previewed on a Tuesday before Thanksgiving with $2.6M, 3-day of $56.6M, 5-day much greater due to Thanksgiving
Despite the swelling panic about the coronavirus, the global business for Disney/Pixar’s elf fantasy feature Onward should turn out to be solid. To date, there aren’t any theaters closed in the U.S. (nor do sources expect any in the near future), certainly not in a grave way like China’s which has seen its nationwide exhibition
Refresh for latest…: Universal/Blumhouse’s The Invisible Man made its first appearance at the international box office this weekend, scaring up $20.2M in 47 markets. Combined with the strong domestic start, the Leigh Whannell-directed pic debuted to $49.2M globally. In like-for-like offshore openings, the Elisabeth Moss-starrer is tracking in line with Lights Out, A Quiet Place
5th Update Sunday AM: Moviegoers didn’t have a problem finding Blumhouse’s The Invisible Man on Saturday with the Leigh Whannell movie racking up $11.1M, a 12% surge over Friday’s $9.9M for a weekend that Universal is calling at $29M (some rival estimates have it in the low $28M range). Even more commendable: if you back out those
Universal–Blumhouse’s The Invisible Man made its first appearance Thursday night at 7 PM shows nationwide with $1.65 million, an an amount of cash that’s near both studios’ previous collaborations, Get Out ($1.8M Thursday) and Split ($2M). Both 2017 titles overperformed their $20M-predicted tracking at the time, with Split posting a $40M start, and Get Out taking $33.3M. Invisible Man, directed and written
It’s not as if Universal and Blumhouse anticipated the opening of its gaslight thriller The Invisible Man to coincide with the guilty verdict handed down this week to movie mogul Harvey Weinstein in his sexual misconduct trial. But the Blumhouse-produced movie written and directed by Leigh Whannell arrives in cinemas at a moment when the
The first Disney release of 2020, Pixar’s Onward, arrived on tracking today with a $44 million projection. Some believe that the forecast for the March 6 release is low and could go higher. The movie directed by Dan Scanlon and featuring the voices of Tom Holland, Chris Pratt, Octavia Spencer and Julia Louis-Dreyfus is set in a suburban