Two specialty films now in wide release hit the top ten this weekend with American Fiction at no. 8 and Poor Things, at no. 9 and claiming the mantle of the highest-grossing limited opening release of 2023. The Zone of Interest has had a terrific expansion for a foreign language film about a heavy subject
The Holdovers
A handful of indies bow or expand this weekend as Oscar hopefuls from Poor Things to The Holdovers and American Fiction crowd theaters after nominations earlier this week. Anatomy Of A Fall is getting a big bump. Oppenheimer is back on Imax. New specialty releases include Daisy Ridley-starring Sometimes I Think About Dying by Rachel
Alexander Payne’s 3x Golden Globe nominated, 8x Critics Choice nominated dramedy The Holdovers will stream on Peacock on Friday, Dec. 29. By the time the movie hits the streaming service it will have been in theaters exclusively for 64 days. The pic has grossed to date $17.4M at the domestic box office. The movie which
Three very different movies, original, with arthouse cred and in theaters for weeks, are drawing audiences showing welcome depth and breadth in the specialty market as awards season kicks off. Nicolas Cage’s nerdy character sees his life collapse when he randomly starts appearing in people’s dreams as Dream Scenario has a solid expansion, Saltburn is
Amazon/MGM’s Saltburn, the dark-comedy sendoff of British upper class, expanded nicely in a big jump from seven screens to 1,566, nabbing a spot in the top ten. The film by Emerald Fennell (Promising Young Woman) grossed $1.73 million for the three-day weekend and $2.7 million for the five-day Thanksgiving frame thanks to a strong core group
Emerald Fennell’s dark comedy Saltburn takes a massive jump from to over 1,500 screens today as Bradley Cooper’s Maestro, Hayao Miyazaki’s latest The Boy and the Heron, animated They Shot The Piano Player and other festival favorites launch awards season runs this Thanksgiving specialty weekend. Apple, opening Napoleon wide with Sony, is also planting a
In a super weekend for specialty, Saltburn had a lofty open on seven screens and The Holdovers a nice $2.7 million in a major week-three expansion that put it at no. 6 at the domestic box office. Actors are once again out promoting their films and indie/original fare continues to benefit from fewer studio releases
Festival and specialty fare releases crowded the top ten this weekend with Priscilla (A24) and The Holdovers (Focus Features) expanding to hit nos. 4 and 6 respectively. Yash Raj Films’ Bollywood thriller Tiger 3 is at no. 8, and world of mouth continued to buoy Radical (Pantelion/Participant) with Eugenio Derbez, rounding out the list at
Six months in, the strikes are over. Ten days out, the holidays begin. As for the movies—unfortunately, the most exciting part of the year is already behind us. It’s disconcerting to realize that there is no unavoidably dazzling, must-see, pop cultural event film on the schedule for the rest of 2023. Certainly, some fine pictures,
Radical with Eugenio Derbez built on its smash opening in Mexico to hit no. 5 at the U.S. box office with a super $2.7 million at 416 theaters. The Pantelion film had delayed its debut Stateside by two weeks to skirt The Eras Tour juggernaut, allowing word of mouth to build for the drama about
Alexander Payne’s The Holdovers from Focus Features pulled in an estimated $200k on six screens in New York and LA for a per-screen average of $33.3k, a good limited opening on an upbeat specialty weekend that also saw A24’s Priscilla by Sofia Coppola off to a fine start. We’re in anomalous times with the ongoing
Independents are out in force with high-profile fall festival fare from Pricilla to The Holdovers, a big Viva Pictures push with Inspector Sun (voiced by Ronny Chieng), Cannes documentary winner Four Daughters and Waikiki, the debut feature by Hawaiian filmmaker Christopher Kahunahana. the first homegrown feature to be shown there. Sofia Coppola’s Priscilla from A24
Here’s a movie Focus Features is excited about for next awards season, and it wouldn’t be shocking to see it world premiering at a big film festival some time this year: Alexander Payne’s New England prep school comedy The Holdovers. The Universal label just dated the pic for November 10 with a wider break on