Sony

EXCLUSIVE: Sony Pictures is putting forth the biggest promotional campaign to date during the pandemic for any major studio wide release with Spider-Man: No Way Home; the global brand marketing value seeing $202M and a billion-plus reach. While that dollar figure is the second highest for a Sony webslinger movie after 2019’s Spider-Man: Far From Home
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Who says people love to stay home and stream movies? Proving that theatrical is still king, Sony/Disney/Marvel’s Spider-Man: No Way Home rang up a massive $50M, the third highest preview night ever, and the most money Sony has ever seen for a Thursday preview night that easily buries the previous high we’ve seen during the pandemic, that
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For all the mishegaas exhibition has endured during the pandemic including streaming threats, day-and-date window crunching, older demos not showing up, local ordinances and countless release-date changes and eliminations, Sony’s Spider-Man: No Way Home arrives this weekend to save the day. The hope here is that Sony’s theatrical window-respecting release not only jolts the worldwide cinema
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Sony/Marvel’s Spider-Man: No Way Home grossed an estimated $5.28M in Korea on its first day today. This is significant for a number of reasons: Korea has been extremely soft of late, yet the launch day is 11% over the first day of 2019’s pre-pandemic Spider-Man: Far From Home and is the biggest day-one figure for
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Before Spider-Man: No Way Home dominates the world this weekend and 2022 sets in, Sony has moved its David Leitch directed Brad Pitt action movie Bullet Train and Hello Sunshine production Where the Crawdads Sing to July, respectively July 15 and July 22. Bullet Train was previously scheduled on April 8 next year, while Crawdads was on June 24. Bullet Train travels away from
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Sony/Marvel’s Spider-Man: No Way Home is activating mega presales in international box office markets. Due to begin offshore rollout on December 15, just ahead of domestic’s December 17 debut, the Jon Watts-directed installment has set all-time records in multiple markets for the first 24 hours, and has caused some ticketing websites to crash. We’ve heard tell
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While some in the industry are still trying to blame a lackluster box office on the pandemic, think again: Sony’s Spider-Man: No Way Home in its first day of pre-sales yesterday on Fandango already beat that of 2019’s Avengers: Endgame; that movie ultimately turning into the biggest domestic opening of all-time with $357.1M. In addition, the presales for Spider-Man:
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Sony, which doesn’t mess around with theatrical day-and-date releases like some other motion picture studios, can celebrate their Marvel sequel Venom: Let There Be Carnage crossing the $200 million mark in the US and Canada. It is the second movie to do so during Covid, after Disney/Marvel’s Shang-Chi and the Legend of the Ten Rings.
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Update: The Man From Toronto is walking away from MLK weekend 2022 where Kevin Hart has traditionally launched his Ride Along movies and will now open on Aug. 12, 2022. Man From Toronto leaves behind Spyglass and Paramount’s reboot of Scream on MLK, as well as the Ben Affleck and Ana de Armas 20th Century Studios thriller Deep Water and
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Sony’s Venom: Let There Be Carnage has feasibly crossed $100M in five days, joining Disney/Marvel’s Shang-Chi and the Legend of Ten Rings as the fastest titles to do so at the pandemic domestic box office. Both titles are on a theatrical window exceeding 45 days. It should be noted that while Shang-Chi propelled past the century mark off Labor Day Monday, Venom
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It’s not Venom: Let There Be Carnage going on Nov. 19, rather Sony’s Ghostbusters: Afterlife which received high praise from exhibition out of CinemaCon. Word was that the Marvel sequel would move from Oct. 15 after Paramount flew Top Gun: Maverick from its Nov. 19 date, however, it’s the Jason Reitman-directed, Ivan Reitman produced sequel to the Columbia Pictures comedy franchise.
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Warning: The following trailer description contains spoilers of The Spider-Man: No Way Home trailer. After Sony reportedly erased a leaked trailer from its upcoming Disney MCU title Spider-Man: No Way Home over the weekend from social, those attendees at CinemaCon finally got a taste. The pic is scheduled to be the big holiday tentpole release in a cinema
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Here’s something no one saw coming at CinemaCon, unless you could decipher the three-hour block Sony reserved for its presentation: The studio surprised those who braved the mid-pandemic Las Vegas confab tonight with a screening of Jason Reitman’s Ghostbusters: Afterlife.  The pic hits theaters on Veterans Day, Nov. 11. In the follow-up to the classic 1984
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Sony, which was last seen at CinemaCon in 2018, brought the confab back to post(ish)-pandemic life today. Its President of the Motion Picture Group, Josh Greenstein, took center stage and reiterated the Culver City lot’s “commitment to protecting and preserving the theatrical window.” That drew a great roar from the Caesar’s Palace Colosseum crowd. Despite
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As we first told you, Sony’s fourthquel Hotel Transylvania: Transformania was heading to a streamer. Turns out, that’s bound to be Amazon in what we hear are early talks. While Disney has been doing rather well with the theatrical component of its day-and-date family movie Jungle Cruise with subsequent weekend holds of -55% and -43% for the pic’s
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EXCLUSIVE: We’re hearing very loud rumblings from exhibition that Sony is poised to relocate Venom: Let There Be Carnage and Hotel Transylvania: Transformania.  In the case of Venom 2, it’s to another destination on the release calendar. First we heard January, then Oct. 15; Sony hasn’t decided I hear what the new date is or whether they’ll continue to stay put on
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Sony launched its horror sequel Escape Room: Tournament of Champions early yesterday at 3PM making $1.2M in previews at 2,382 theaters. What’s the comp here? Given the funkiness of the pandemic we can only look at recent genre stats, and the nearest title is Universal/Blumhouse’s The Forever Purge which did $1.33M in Thursday previews at 2,550 theaters from showtimes
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As the motion picture industry looks to get back on track at the box office, and avoid being the laughing stock of streamers, the latest question begged is: What was Sony thinking when they decided to move Hotel Transylvania: Transformania onto the Oct. 1-3 opening weekend of MGM’s Addams Family 2? Both Halloween-centric animated movies
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Sony just put two big films on the 2022 schedule: David Leitch’s Bullet Train on April 8, 2022, and the Jack Black-Ice Cube comedy Oh Hell No which Justin Kroll just reported on for July 1, 2022. Bullet Train will also show in Imax. Lots already dated on April 8 including Paramount’s Sonic the Hedgehog 2, an untitled Disney live-action movie,
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SATURDAY UPDATE: Refresh for updates While it appeared that the summer box office was dusting itself off from the pandemic over the last two weeks, both newcomers Warner Bros. highly anticipated Jon M. Chu directed Lin-Manuel Miranda musical In the Heights and Sony’s Peter Rabbit 2: The Runaway are currently filing less than spectacular results respectively with a No.
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The National Association of Theatre Owners, the Motion Picture Association, studios and industry figures are teaming for The Big Screen Is Back, a conference to be held on Wednesday, May 19 at the AMC Century City 15 in Century City, CA which will rally the comeback of exhibition as it reopens from the pandemic and present studios
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Big movie chain Cinemark announced Friday it’s now reached agreements to theatrically showcase films from all five major studio partners across its U.S. theaters, although it didn’t provide terms or many details. On a conference call with analysts to discuss the exhibitor’s just released first-quarter financials, CEO Mark Zoradi called each of the five deals
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EXCLUSIVE: Netflix has licensed all global rights, sans China, to Sony Pictures Animation’s Vivo. The movie, directed by Oscar nominee Kirk DeMicco (The Croods) and co-directed by Brandon Jeffords (Cloudy With a Chance of Meatballs 2) with new songs written and performed by Tony award winning Hamilton creator Lin-Manuel Miranda, was recently scheduled for a theatrical
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