No matter which film takes home Best Picture Sunday night, that title will be the lowest grossing ever in Oscar history. According to Comscore, Kathryn Bigelow’s 2009 title The Hurt Locker stands as the lowest-grossing Best Picture Oscar winner at the domestic B.O. with $17M. That title will likely be upset this Sunday by Chloé Zhao’s
Promising Young Woman
While it’s not really a time to take a victory lap at the box office with only 3,1k movie theaters opened out of U.S. and Canada’s 5,8K, five out of the eight Oscar nominated best pictures this past weekend in theatrical release reaped the halo effect of Monday’s noms. Keep in mind many arthouses, especially
As the weeks go by and the pandemic begins to lift at a very, very glacial pace we are hearing some more coins drop into the bank of the specialty box office space. Edward Hall’s adaptation of Noel Coward’s play Blithe Spirit is one of a handful of films that made its way to theaters and digital
If there are any milestones worth noting this week, it’s that the Focus Features thriller Promising Young Woman crossed the $3 million in its fourth week in theaters. This weekend the Emerald Fennell-directed pic starring Carey Mulligan played in 1,333 theaters and added an estimated $430K to its box office till this weekend and is on
Specialty box office titles and those that also have their foot in the wide release landscape make up the majority of the top box office numbers of the weekend — which is pretty darn good all things considered. Some of these titles would be considered more “specialty” in the before-times, but as the box office
The first weekend of the year, which at its apex in 2016 grossed $219.5M off the heat of Disney’s Star Wars: The Force Awakens, registered under an estimated $13M for the entire weekend in a continued decimated exhibition marketplace that’s praying to reopen in 2021. Warner Bros.’ theatrical release of Wonder Woman 1984, which is also available on
It’s historically been a week when we’re reporting on Star Wars movies doing a daily box office average of $20M, but in this distressed Covid environment where 60% of all U.S. and Canadian theaters are closed, we have only to highlight that Warner Bros.’ Wonder Woman 1984 did an estimated $22.5M in its first week. Eeesh. Now
Sunday AM Update: Refresh for more analysis and chart We’ll have to wait and see what success WarnerMedia drums up in regards to Wonder Woman 1984‘s outcome on HBO Max, but from a box office perspective over Christmas with 60% of the 5,8K theater domestic market closed due to COVID, it posted better 3-day numbers than
Like the title suggests, Promising Young Woman brought a glimmer of promise to the specialty box office space. The Emerald Fennell-directed dramatic thriller starring Carey Mulligan debuted in 1,310 theaters in North America on December 25 earning an estimated $680K. Since making its world premiere at Sundance, the film has been getting tons of buzz and acclaim.
Written and directed by Emerald Fennell (Killing Eve), the Focus Features dramatic thriller Promising Young Woman has been a buzzy awards season title before its Christmas Day theatrical release. The Los Angeles Film Critics Association named Carey Mulligan Best Actress for her turn as the methodical Cassie who is out for revenge while Fennell received honors
Typically, we’ve avoided weekend box office previews during the pandemic as there’s been nothing to pump up from a potential ticket sales outlook, however, Warner Bros.’ release of $200M tentpole sequel Wonder Woman 1984 merits a line, particularly with its unorthodox theatrical day and date HBO Max streaming plan on Christmas Day. Don’t expect much is