Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering
PAW Patrol: The Mighty Movie
Releasing three tentpole movies into December, Warner Bros is walking away with bragging rights to giving the holiday season an important boost – particularly given the absence of an Avatar or a Spider-Man as in recent years. In total, WB’s three titles on release have grossed $700 million since Wonka first began offshore rollout on
Universal/Blumhouse’s Five Nights at Freddy’s was still plenty game this weekend, crossing $100M at the international box office and $200M worldwide. The sophomore frame overseas, where this is a pure theatrical play, dipped 54% to deliver $35.6M in 74 markets for a $103.5M offshore cume and $217.1M global. Fazbear and crew have surpassed the reported
Refresh for latest…: Taylor Swift: The Eras Tour may have missed the century mark in regards to a domestic opening, but the 12x Grammy winner was always guaranteed that number worldwide, with AMC reporting this AM that the Sam Wrench-directed concert pic has racked up $126M-$130M. The international box office opening is estimated at $31M-$33M.
Refresh for latest…: Just as it came in lower than hoped for domestically, Universal/Blumhouse/Morgan Creek’s The Exorcist: Believer didn’t fully convert overseas audiences, summoning a $17.9M international box office debut for $45.1M global. The R-rated David Gordon Green-directed reboot/sequel did see some of its 52 launch markets give it a No. 1 start, while in
SUNDAY AM Final: Paw Patrol: The Mighty Movie is lapping up $23M, a big win for Paramount and Spin Master, as the picture is part of a $14 billion global retail franchise which both companies get a nice cut from. And successful movies drive toy sales. It was part of Brian Robbins’ plan when he
Refresh for latest…: Here we are with a sort of hybrid weekend at the international box office: there were fresh entries from the Hollywood studios, as well as major new titles timed to holiday play in local markets, and a holdover that’s continuing to rack up records. On the studio side, Paramount/Spin Master’s Paw Patrol:
Hopefully three wide releases can wake up what’s been a relatively sleepy time at the box office, ratcheted down by the SAG-AFTRA strike. With New Regency/20th Century Studios/Disney’s original Gareth Edwards sci-fi movie The Creator, Paramount and Spin Master’s PAW Patrol: The Mighty Movie and Lionsgate’s Saw X, the top three movies look to make
Days before Spin Master/Paramount/Nickelodeon’s PAW Patrol: The Mighty Movie opens with a shot at No. 1 and $20M, a third theatrical movie has been announced for 2026. The long-running preschool franchise, which is celebrating its tenth anniversary, saw its first theatrical release under Paramount (and Elevation Pictures in Canada) open during the pandemic, day and
It’s a Dora like you’ve never seen her before — in complete CGI animation. Nickelodeon is relaunching the famed Latina explorer in new animated theatrical short, Dora and the Fantastical Creatures, exclusively in theaters on Friday, Sept. 29 preceding the Spin Master Entertainment/Nickelodeon Movies/Paramount picture, PAW Patrol: The Mighty Movie. The new CGI animated preschool