Warner Bros‘ is pushing M. Night Shyamalan‘s latest genre movie, Trap, from Aug. 2 to Aug. 9. The news comes ahead of Warner Bros. studio presentation tomorrow, Tuesday, at CinemaCon in Las Vegas, NV. The movie moves away from Sony’s family pic, Harold and the Purple Crayon, making it the only studio entry on Aug
M. Night Shyamalan
Universal has dated a brand new M. Night Shyamalan thriller on the theatrical release calendar for April 5, 2024. No further details were revealed. This is the weekend after Easter. No other wide releases are schedule on the weekend for the new Shyamalan movie. This is Shyamalan’s sixth movie with Universal. The four which they’ve
Two wide releases, Paramount’s Snake Eyes: G.I. Joe Origins and Universal’s M. Night Shyamalan thriller Old, both respecting a theatrical window, will face off this coming weekend with results which are still too early to call as each are eyeing a mid-teens opening result. Previews for both titles begin Thursday at 7PM. In the meantime,
UPDATED with latest: Universal has had second thoughts in this pandemic environment where fewer theaters are open, and will open its Bob Odenkirk action thriller Nobody on February 26, which was one of the pic’s former release dates before they opted for February 19. I hear that the studio is giving some distance from the pic’s
Update, July 9: Universal is opening its Bob Odenkirk action thriller Nobody a week earlier on Feb. 19, 2021 instead of Feb. 26, 2021. The pic is now the only wide entry on that date, moving away from a weekend where Paramount put their Michael B. Jordan-Tom Clancy movie Without Remorse. PREVIOUS, April 7: Universal Moves Bob
M. Night Shyamalan’s next movie now has a release date. Universal said Tuesday that it will release the writer-director’s untitled thriller on July 23, 2021. The pic, details of which are under wraps, stars Eliza Scanlen, Thomasin McKenzie, Aaron Pierre, Alex Wolff and Vicky Krieps. On Monday, Deadline scooped that Abbey Lee, Nikki Amuka-Bird and
When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses and ancillary revenues from VOD to DVD and TV. To get close to that