Warner Bros is looking to excite family audiences that have OD’ed on Minions: The Rise of Gru with a new animated movie this weekend, the Dwayne Johnson– and Kevin Hart-voiced DC League of Super-Pets. The pic directed by Jared Stern and Sam Levine made $2.2M in Thursday night previews at 3,200 theaters. Industry estimates earlier
Kevin Hart
Update: The Man From Toronto is walking away from MLK weekend 2022 where Kevin Hart has traditionally launched his Ride Along movies and will now open on Aug. 12, 2022. Man From Toronto leaves behind Spyglass and Paramount’s reboot of Scream on MLK, as well as the Ben Affleck and Ana de Armas 20th Century Studios thriller Deep Water and
Kevin Hart during the Sydney Film Festival on June 6, 2019 in Sydney, Australia. (James Gourley/Getty Images) Kevin Hart has said he doesn’t “give a s**t about cancel culture” as he reflected on the homophobia row that forced him to step down from hosting the Oscars. The comedian had been due to host the Academy
Sony’s Kevin Hart and Woody Harrelson action comedy The Man From Toronto has set a release date of Jan. 14, 2022. The pic was taken off the theatrical release calendar as the pandemic took hold. At one point, it was scheduled to open on Nov. 20. Hart owns two of MLK’s biggest openings for Ride Along, ranked third
Sony and Higher Ground Productions will have its Kevin Hart drama Fatherhood released on Netflix on Friday June 18, just before Father’s Day. Note this is a licensing deal, not a full on acquisition of the movie by Netflix. It’s a similar deal that Sony has cut with Hulu on Happiest Season and AppleTV+ on Greyhound. Essentially, Netflix has
Kevin Hart attends the FX Networks’ Star Walk Winter Press Tour 2020 at The Langham Huntington, Pasadena on January 09, 2020 in Pasadena, California. (Gregg DeGuire/WireImage) Comedian Kevin Hart, who stepped down from hosting the Oscars in 2019 after backlash over his homophobic jokes, has said he deserves “a chance to move on”. Last year,
When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end