Joaquin Phoenix has reportedly left the untitled movie, while Pedro Pascal was almost slated as his replacement. (Getty) Joaquin Phoenix reportedly left the set of Todd Haynes’ untitled movie, and it turns out that Pedro Pascal was reportedly almost drafted in to replace him in the role. Deadline previously reported that production for the untitled
Joaquin Phoenix
Warner Bros on Tuesday released the first trailer for Joker: Folie à Deux, the sequel to the 2019 smash that returns Joaquin Phoenix to his Oscar-winning role and co-stars Lady Gaga as Harley Quinn. The film hits theaters on October 4, 2024. The studio revealed the trailer during its studio presentation to exhibitors at CinemaCon
Ridley Scott’s Napoleon has crossed the $200M mark globally, getting to the milestone with Tuesday’s numbers included. The worldwide tally for the biographical epic is $200.7M, of which $141.1M is from the international box office. Through yesterday, the domestic cume is $59.6M. The Joaquin Phoenix-starrer produced by Apple Original Films and distributed by Sony Pictures
Ridley Scott’s Napoleon through Thursday has grossed an estimated $21M worldwide. The Apple Original Films and Sony Pictures action epic is now eyeing a $70M-$73M five-day global opening, including $40M from the international box office. Should those numbers hold, this will be well ahead of pre-weekend projections. The Joaquin Phoenix-starrer stormed into eight overseas markets
C’mon C’mon from A24 turned in the best per-screen average for a limited platform release since Covid at five theater in New York and LA as stellar critical response was met by strong exit polls ahead of a wider rollout into top markets over Thanksgiving and continued expansion thereafter. The Mike Mills’ awards contender led
C’mon C’mon is distributor A24’s first platform release post pandemic, opening on five screens in New York (Angelika and Lincoln Square) and LA (Grove, Landmark and AMC Burbank) It’s s vote of confidence — launching in the strongest markets and letting word of mouth spread only works if there are signs of life. Specialty distributors
When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end