Refresh for latest…: It may be a stretch, but we could coin a new phrase and call this the cat days of spring. To wit: Sony/Alcon’s The Garfield Movie, which began early overseas release last month, took the No. 1 spot for Hollywood on the domestic, international, and global charts this frame. The offshore session
Furiosa: A Mad Max Saga
SATURDAY AM WRITETHRU: After a poor Memorial Day weekend, we have a poor post-holiday period, with all titles grossing an estimated $68.6M, -66% from a year ago, when Sony proved superhero movies weren’t dead with Spider-Man: Across the Spider-Verse contributing to a marketplace that grossed $205.1M. Alcon/Sony’s The Garfield Movie, as expected, is showing his
Crunchyroll/Sony Pictures’ volleyball anime movie Haikyu!! The Dumpster Battle made $800K in previews yesterday, in what’s one of the few moderate wide releases this weekend in which the studio’s own The Garfield Movie is expected to clinch first place with a $12M second frame. Warner Bros.’ R-rated Furiosa: A Mad Max Saga is expected
It’s not all doom and gloom at the global box office as a handful of films reached milestones this week. 20th Century Studios/Disney’s Kingdom of the Planet of the Apes has topped $300M worldwide, while Paramount’s IF and Sony/Alcon’s The Garfield Movie crossed the $100M mark. Through Tuesday, Apes is at $178.1M international and $306.8M global; this past weekend was its third frame.
Refresh for latest…: Warner Bros’ Furiosa: A Mad Max Saga was greeted with a very warm reception during its Cannes Film Festival world premiere in an early showcase last week, and amid much love for franchise architect George Miller. It has followed up with strong critical and social scores. Nevertheless, in this currently wonky theatrical
Furiosa: A Mad Max Saga continues the franchise’s queer history with a gender fluid plotline and trans allegory (Kennedy Miller Entertainment/ Roadshow Film/ Warner Bros.) Furiosa: A Mad Max Saga is the prequel to 2015’s Mad Max: Fury Road, and contains a gender fluid plot-line that isn’t a radical departure from the franchise’s unexpectedly queer