EO, the Sideshow/Janus films release told from the point of view of a donkey, is set to pass the $1 million mark in week 14. The Cannes-premiering film by Jerzy Skolimowski, Academy Award nominated for Best International Feature, will gross an estimated $27.6k for the four-day President’s weekend on 37 screens for a cume of just
Exhibition
Focus Features has set a September 8 global release date for My Big Fat Greek Wedding 3. That will give some breadth to the post-Labor Day box office and an option for older female moviegoers, that weekend already having New Line’s The Nun 2 on the schedule. Part 3 was written and directed by the
FRIDAY AFTERNOON: Disney/Marvel Studios’ Ant-Man and the Wasp: Quantumania is headed to being the third highest opening for Presidents Day weekend as well as February. While 4-day estimates are wild between $115M-$125M, today is shaping up to be around $44M (that includes last night’s $17.5M) for a 3-day at $100M at 4,345 theaters. These are
The title that saw Riz Ahmed stifle laughter, the press room crack up and Allison Williams murmur “no comment” at Oscar nominations last month hits theaters today as ShortsTV presents Oscar Nominated Short Films at circa 380 locations in 75 markets. The program, three feature-length presentations of the five nominees for Live Action, Animated and
Sony Pictures Classics said it’s planning to release Sean Mullin’s documentary on baseball superstar Yogi Berra, It Ain’t Over, in theaters in New York and Los Angeles on May 12, expanding over following weeks. The film is produced by Natalie Metzger, Matt Miller, Peter Sobiloff and Mike Sobiloff with Vanishing Angle and Off Media, and
Ahead of EFM, Dread, the specialty horror label of distribution and financing outfit Epic Pictures, along with Iconic Events, said they plan to release anthology film Satanic Hispanics on 800 screens in th U.S. Canada and Mexico this September. The film is in five segments directed by Alejandro Brugues (Juan of the Dead), Gigi Saul
The tentpole drought, created by the pandemic’s post-production logjam, is officially over this weekend as Disney and Marvel Studios’ Ant-Man and the Wasp: Quantumania opens the floodgates on what is a consistent flow of event movies from this Friday until early September. Early tracking four weeks ago indicated $120 million in U.S./Canada box office over
EXCLUSIVE: Good news for the Los Angeles arthouse scene: Landmark Theatres is taking over AMC’s Sunset 5 at 8000 W Sunset Boulevard. The Cohen Media Group-owned exhibitor will take over the venue in June. Until that time, the Sunset 5 will remain open and continue to be operated by AMC. The news comes in the
Utopia opened Clay Tatum and Whitmer Thomas’ slacker comedy The Civil Dead, the feature debut from the lifelong friends from Gulf Shores, Alabama who have been making projects together — from skateboarding videos to an HBO special — since grade school. It’s grossed $17k so far on 27 screens including a sneak-preview Q&A tour at Alamo
Diverse festival notables from Hannah Ha Ha to The Blue Caftan join a spattering of specialty horror titles led by Consecration, and the U.S. theatrical debut of Gaspar Noé’s controversial Irréversible: Straight Cut. The last is presented by Altered Innocence, whose owner Frank Jaffe spoke with Deadline about why he wanted to give Noe’s unusual
Channing Tatum is looking at another opening at No. 1 in his canon of February theatrical releases with Warner Bros’ Steven Soderbergh-directed threequel Magic Mike’s Last Dance, which industry estimates peg at between $9M-$11M at 1,500 theaters. Warner Bros is not reporting numbers. Friday is around $4.3M ,which includes an estimated $1M previews that started
Steve Bunnell has scored an exec job coveted by many in exhibition, from what I’ve been told: He’s been hired as EVP Content Strategy at Marcus Theatres. What Bunnell brings to the exec position is his years of working in both distribution (at Universal) and exhibition. He’ll lead the programming of new releases, alternative content,
Actor Elijah Wood is not a fan of AMC Entertainment’s latest move around ticketing that sets different prices for different seats inside its theaters. “The movie theater is and always has been a sacred democratic space for all and this new initiative by @AMCTheatres would essentially penalize people for lower income and reward for higher
Theater chain AMC Entertainment is now shifting ticket prices depending on where seats are located in theaters in an initiative called Sightline AMC. The seating selections based on their sightline of the movie screen within the auditorium include Value Sightline, Standard Sightline and Preferred Sightline sections. Standard Sightline, the most common, is sticking to the
K-Pop legend BTS may be on hiatus but fans are decidedly not. Concert film BTS: Yet To Come hit no. 5 at the North American Box office this weekend with $5.1 million on 1,100+ screens, for a cume topping $7.8 million from the first showing Feb. 1. The group announced last year it was planning
Paramount has just dated the Ridley Scott-directed follow-up for November 22, 2024. Aftersun Oscar nominated Best Actor Paul Mescal is in talks to be in the film, as Deadline first told you. Scott produces with Michael Pruss, Doug Wick and Lucy Fisher off David Scarpa’s screenplay. As Justin Kroll first reported, Mescal isn’t replacing Russell
Animated fairy tale The Amazing Maurice voiced by Emilia Clarke, Hugh Laurie, David Thewlish, Gemma Arterton and Himesh Patel, jumps from Sundance to 1,700 screens via Viva Pictures, the distributor’s widest release to date and a big one for any independently produced animated film. And Civil War drama Freedom’s Path starring Gerran Howell, RJ Cyler, and Ewen
Universal’s M. Night Shyamalan R-rated thriller Knock at the Cabin opened its doors last night to $1.45 million in previews off showtimes that began at 5 p.m. That number is just under the preview figure of Shyamalan‘s Old, which did $1.5M before a $16.8M opening. Knock at the Cabin‘s previews makes sense as the tracking
After reigning over the box office for the past seven weekends, 20th Century Studios/Disney/Lightstorm’s four-time Oscar-nominated Avatar: The Way of Water will cede No. 1 to Universal’s M. Night Shyamalan thriller Knock at the Cabin, which is set to do $15 million-$17 million per tracking sources at 3,600 theaters. Reviews haven’t hit yet on the
As part of James Gunn and Peter Safran’s unveiling of their new DC Universe Chapter One, “Gods and Monsters”, the twosome announced theatrical release dates for the Gunn penned Superman Legacy, that being July 11, 2025 and Matt Reeves’ DC else-world Batman II which is Oct. 3, 2025. Gunn and Safran declared that 2025 will
AMC Entertainment said Saudi Entertainment Ventures (SEVEN) will buy out its investment in movie theater venture, Saudi Cinema Company, for $30 million AMC said the agreement calls for it to transition from a management and investment role in SCC to “a pure licensing relationship.” Current AMC Cinemas and future locations operated by SCC will retain
EXCLUSIVE: When a tentpole works at the global box office, there’s a ripple effect with exhibition partners, not just the studio, bathing in riches. Such is the case for CJ 4DPlex’s Screen X and 4DX auditoriums which can brag that Avatar: The Way of Water, as it clocks $2.1 billion worldwide, is the exhibitor’s highest
Even on a specialty level, horror just works post-pandemic with the latest pop from a strong showing by a trio of films, Fear and Infinity Pool, released this weekend, and Skinamarink in week three. Fear hails from Deon and Roxanne Avent Taylor’s Hidden Empire Film Group, the all-Black production company behind cult hit Meet The
SATURDAY AM UPDATE: Coming out of this weekend, by mid-week, Disney/20th Century Studios/Lightstorm’s Avatar: The Way of Water will easily surpass The Avengers as the No. 10 highest-grossing movie ever in U.S./Canada with $623.3M. The James Cameron-directed pic is expected to gross between $14M-$16M for a seventh straight No. 1 weekend streak. Avatar 2‘s seven-weekend
Neon and Topic Studios present writer/director Brandon Cronenberg’s Infinity Pool at 1,835 theaters in a lively specialty weekend sandwiched between a new crop of Sundance films and noteworthy expansions in the glow of Oscar nominations. Infinity Pool, staring Alexander Skarsgard, Mia Goth, Cleopatra Coleman and Jalil Lespert, had a splashy debut last weekend in the
Regal parent Cineworld said it’s opted to pursue a sale of assets and the process “is well under way” with non-binding bids due February 16. The company said in a bankruptcy filing this week that it’s reached out to 30 “potential transaction parties” including many competitors. If the debtors (Cineworld and its affiliates) find one
Some great news for exhibition Monday morning: Amazon Studios is getting back into the wide theatrical-release business with Ben Affleck’s Nike movie Air, starring his fellow Good Will Hunting co-Oscar winner Matt Damon. Air will get a global theatrical release on Wednesday, April 5, heading into the lucrative Easter weekend. This is the first wide
Sony Pictures Classics present Florian Zeller’s The Son on 554 screens, an emotional family drama that folllows the director’s 2020 Oscar-winning The Father. As with that film, The Son is adapted from Zeller’s own stage play along with Christopher Hampton. Hugh Jackman, Laura Dern, Vanessa Kirby, Zen McGrath and Anthony Hopkins star in the cautionary tale of a
Regal parent Cineworld is rejecting the leases of three dozen more theaters as part of its ongoing bankruptcy proceeding, including some major locations. In filings this week, the theater chain requested, and was granted by a bankruptcy court judge, the right to walk away from nearly 40 unexpired leases including at Union Square in New
In an age of streaming and Covid concerns when many older-skewing dramatic films find their way safely into homes, Sony Pictures rolled the dice on the Tom Hanks drama A Man Called Otto. It grossed $15.3 million in its third–weekend wide expansion over the four-day MLK weekend, well surpassing its $8M projection. The result surprised
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