A platoon of titles hits the specialty circuit this weekend, getting in ahead of steamroller Avatar: Way of Water and the year-end deadline for Oscar eligibility. This is a soul-searching, what-lies-ahead moment for a market still much too inconsistent for comfort, but that can be pondered later. At the moment, indie distributors are quite busy
Exhibition
UPDATED, Saturday AM Writethru after Friday PM post: Where’s a wide expansion of Glass Onion: A Knives Out Mystery when you need it? Expect a greater subtraction of dollars at this weekend’s box office, as the Rian Johnson-directed whodunit goes dark until December 23. Disney/Marvel Studios’ Black Panther: Wakanda Forever came in with a $4.4M
Moonage Daydream is returning to the really big screen. Brett Morgen’s award-winning documentary about David Bowie will be re-released on Imax screens around the country for limited engagements, beginning on Monday, December 5 at the TCL Chinese Theatre in Hollywood. From Dec. 7-13 it will play at six Imax locations in the Los Angeles area,
AMC got its meme back Thursday, with the stock surging 27% at its high on heavy volume, way outpacing the broader market and other publicly traded theater chains. The jump was its biggest since May as the stock revisited its days as huge chatroom favorite. Volatility is a hallmark of meme stocks with others like
Editor’s note: Deadline presents the 42nd episode of its video series Take Two, in which Pete Hammond and Todd McCarthy tackle the artistry of films just opening in theaters every weekend. Each has reviewed and written about the craft for decades and built a remarkable breadth of knowledge of films past and present. What we hoped for
The highest grossing movie of the year, Top Gun: Maverick, is going back into select theaters this Friday, Dec. 2 on premium large format screens and Imax for a two-week run. The news comes in the wake of Paramount+ setting a drop date for Tom Cruise’s biggest grossing movie of all-time ($716.6M, $1.486 billion WW)
Sideshow/Janus Films EO held well in week two, grossing $23,217 for the five-day holiday frame ($11,609 per screen) and $16,900 for the three-day weekend ($8,450 per screen). The new cume is $50.7k in a crowded arthouse market, a strong showing for the film starring a melancholic gray donkey. It expands to LA next week opening at
Laura Poitras’ Venice Golden Lion-winner All The Beauty And The Bloodshed opens in three theaters today, testing a crowded specialty market at the IFC Center, Lincoln Center & BAM in NYC. It adds LA and San Francisco (AMC Sunset 5 & AMC Kabuki) Dec. 2. Presented by Neon, this is the story of internationally renowned photographer
Exhibition stocks were up today on news from Bloomberg that Amazon is going to commit a reported $1 billion to theatrical releases annually. We hear that such a plan is truly in its early days — read Amazon doesn’t have an executive yet to lead MGM theatrical. Capisce? Since Amazon bought MGM, it has been
Editor’s note: Deadline presents the 41st episode of its video series Take Two, in which Pete Hammond and Todd McCarthy tackle the artistry of films just opening in theaters every weekend. Each has reviewed and written about the craft for decades and built a remarkable breadth of knowledge of films past and present. What we hoped for
Among those quite happy with the re-installment of Bob Iger as Disney’s CEO was exhibition giant, AMC’s Adam Aron, who took to Twitter in the wake of the news exclaiming, “Based on box office grosses, Disney is the biggest film maker of any movie studio. Bob Iger coming back to again lead Disney as its
A new crop of prestige titles plant a flag at the arthouse in limited release this weekend from Luca Guadagnino’s Bones and All to Jerzy Skolimowski’s EO, to Elegance Bratton’s The Inspection. Greenwich Entertainment opens doc Love, Charlie: The Rise And Fall Of Charlie Trotter IFC Films presents Bad Axe and Cohen Media Group is
“The donkey is cute, but this is not a Disney movie,” said Jonathan Sehring, the former IFC Films head whose young distribution outlet Sideshow, with Janus Films, presents Jerzy Skolimowski’s Cannes Jury Prize winning EO at two NYC theaters this weekend. “We launched Sideshow for great movies that would otherwise get overlooked to give them
Editor’s note: Deadline presents the 40th episode of its video series Take Two, in which Pete Hammond and Todd McCarthy tackle the artistry of films just opening in theaters every weekend. Each has reviewed and written about the craft for decades and built a remarkable breadth of knowledge of films past and present. What we hoped for
The Fabelmans grossed an estimated $160k this weekend at four theaters in NY and LA. That’s a $40K per screen average, on par with recent strong (for post-Covid) specialty openings like The Banshees Of Inisherin (at $45k PSA) and Tár (also $40k), both on four screens too, reflecting a definite pickup in the specialty space. Spielberg’s written, directed
Imax CEO Richard Gelfond is opening up about how important the theatrical window is and how he thinks some streaming services are realizing it now. “The debate is over,” Gelfond said in an interview with Yahoo Finance Live. “The argument that you can skip a theatrical window and make up for it on streaming just
Universal Pictures is giving Steven Spielberg’s The Fabelmans a platform release starting with four locations in NYC (Lincoln Square, Union Square) and LA (The Grove, Century City) with a robust media campaign aimed at cinephiles, but also capitalizing on the broad appeal of a Spielberg production, testament to unusual pedigree of the semiautobiographical film. It premiered in
Editor’s note: Deadline presents the 39th episode of its video series Take Two, in which Pete Hammond and Todd McCarthy tackle the artistry of films just opening in theaters every weekend. Each has reviewed and written about the craft for decades and built a remarkable breadth of knowledge of films past and present. What we hoped for
UPDATED with conference call comments: AMC Entertainment CEO Adam Aron shrugged off Covid, streamers and windows as real issues for exhibition currently, saying the biggest challenge facing the industry “above all else, is that movie theater operators need more movies.” “At this point, there is only one topic that should be… on the tip of
The nation’s biggest cinema advertising network National CineMedia saw revenue rise and losses narrow last quarter as executives cited brisk sales of movie theater ads and insisted that it’s business as usual fo now, even as part owner and major client Regal is swept up in bankruptcy. “From our perspective, nothing has changed on a
A little over a month after the U.S. Securities and Exchange Commission sued two former top execs at MoviePass and its parent company, Helios + Matheson, for fraud, the Justice Department today unsealed an indictment charging those same executives, Theodore Farnsworth and J. Mitchell Lowe, each with one count of securities fraud and three counts of wire
The nation’s third largest theater chain saw sales jump 50% and losses narrow sharply last quarter, underscoring the rebound of moviegoing despite a sluggish release schedule in August and September. “We have high confidence in the ongoing recovery of content and box office as delays caused by Covid fully subside, and studios derive increasing promotional
Indie distributor Utopia, currently in theaters with Holy Spider, anticipates music documentary Meet Me In The Bathroom will be its biggest weekend opening to date. It’s holding onto numbers for Sunday from one-night premieres this past week in LA at the Fonda and in NY at Webster Hall with live performances by The Moldy Peaches,
As theatrical tries to find its footing from the pandemic, thank God for Crunchyroll anime films to fill the wide-release gaps on the calendar and spur popcorn sales for movie theaters. The Sony-owned label’s One Piece Film Red, based on the best-selling manga title and in partnership Toei Animation, made an estimated $1.6M-$1.8M Thursday off
Publicly-traded in-theater advertising network National CineMedia may be delisted from the Nasdaq stock market if its share price doesn’t perk up. An SEC filing said the company has received written notice from Nasdaq that it’s not in compliance with the $1 minimum bid price required for listing and has 180 days or risks being booted
Sony has moved Love Again, the romantic comedy starring Priyanka Chopra Jonas, Sam Heughan and Celine Dion, to May 12, 2023. It previously had a released date of February 10. Logline for the Jim Strouse-directed movie: What if a random text message led to the love of your life? Mira Ray, dealing with the loss
Imax missed Wall Street’s third-quarter earnings projections due to what it called “a temporary slowdown in the Hollywood pipeline,” but edged revenue estimates thanks to a string of local-language blockbusters. The company’s net loss of 5 cents a share, reported Monday, marked an improvement from 8 cents in the year-ago period, but was worse than
New Line/DC’s Black Adam ends its first week at the domestic box office with $83.4 million, which is slightly ahead of what Dwayne Johnson’s Fast & Furious spinoff Hobbs & Shaw did in its first week at $83.1M. That’s impressive considering Black Adam is a deeper-universe DC character, while the other was connected to a
Three films opening this weekend highlight women’s rights, class and racism — nothing ripped from today’s headlines exactly, but features with a distinctive moment and point of view that appear particularly relevant today. Call Jane, Holy Spider and Armageddon Time join Tár, Till, The Banshees of Inisherin and others already in theaters as it gets
National CineMedia is suing Regal Cinemas, one of its founding partners, for hiding behind Chapter 11 to cancel a longstanding and legally binding contract – a twist in the bankruptcy saga of Regal parent Cineworld. Regal created National CineMedia with AMC and Cinemark in 2007 to provide in-theater advertising in and it still owns a
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