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The headline in a CNN story that appeared a little after noon on Wednesday, June 26th, was brutal: “Children are dying of starvation in their parents’ arms as famine spreads through Gaza.” The details were heartbreaking. One nine year old boy, said CNN, is “clearly wasted from severe malnutrition and suffering from dehydration. His blue
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The big question is whether it will cause World War III. Early Wednesday morning, at 3 pm in the afternoon Iranian time, a suicide bomber a mile from the modest grave of Lieutenant General Qasem Soleimani in southeastern Iran’s Kerman province blew himself up.  Then, 20 minutes later, as people crowded to the explosion’s site to
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Updated Christmas Day: While everyone was sleeping during the pre-Christmas week, Universal undated both Monkeypaw Productions that were slated for 2024 on Sept. 27 and Christmas Day. These were all strike-related movies. TBD when both secret untitled features return. Universal replaced the Dec. 25 release with Robert Eggers’ Nosferatu while Lionsgate swooped in and took
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At 10:52 Wednesday morning, The Wall Street Journal reported new data from the National Center for Health Statistics on suicide in the United States.  The data was shocking. According to the Journal, last year close to 50,000 Americans committed suicide.  That’s the highest level of suicides since 1941. 50,000 is not just a lot of suicides
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EXCLUSIVE: With the end of 118-day actors strike at 12:01 a.m. Thursday morning, as well as a 148-day WGA strike back in September, global Hollywood feature productions can now resume. And while studios warned the guild that movies wouldn’t be able to start until January due to the holidays, they’ve been in pre-production on re-starts
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Universal/Blumhouse’s Five Nights at Freddy’s was still plenty game this weekend, crossing $100M at the international box office and $200M worldwide. The sophomore frame overseas, where this is a pure theatrical play, dipped 54% to deliver $35.6M in 74 markets for a $103.5M offshore cume and $217.1M global. Fazbear and crew have surpassed the reported
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Cinemark CEO Sean Gamble said Apple and Amazon, two behemoths of the tech world but newcomers to the wide-release movie business, are so far “very pleased” with their results. During a conference call with Wall Street analysts to discuss third-quarter results, the major exhibitor boss said Cinemark’s conversations with the two tech firms indicate they
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The ramifications of the actors strike at the weekend box office continues to be felt, as ticket sales this weekend plummeted to $58.3M, which is currently the third-lowest of 2023. Remember, Legendary/Warner Bros’ Zendaya-Timothee Chalamet-Austin Butler-Florence Pugh sequel Dune: Part Two was originally set to play this weekend, and with its departure, there’s at least
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EXCLUSIVE: Warner Bros‘ highly anticipated Paul King-directed feature musical Wonka has hit early tracking six weeks before its release on Dec. 15 with box office analytics corp The Quorum predicting a $20M-$23M opening. Note it’s still early in the campaign, so there’s potential for upside. Unlike other tracking services which project three weeks before a
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Today, Universal/Blumhouse’s Five Nights at Freddy‘s is clocking past the $100M domestic mark, a box office milestone for the studio when it comes to its experimental theatrical day-and-date releases on its Peacock streaming service. That’s not only the highest that Uni has seen from a pic that’s been distributed via such means at the box
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A24’s Priscilla by Sofia Coppola catapults from four screens to 1,300, Alexander Payne’s The Holdovers from Focus Features expands to 60 from six and two new indies have wide debuts — What Happens Later from Bleecker Street, directed by and starring Meg Ryan, opens at 1,400 locations and Daisy Ridley-starring The Marsh King’s Daughter from Roadside
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EXCLUSIVE: Big shift in the film distribution sphere here today as Searchlight’s longtime Head of Distribution Frank Rodriguez is heading to Amazon MGM Studios as their new General Sales Manager. Rodriguez will report to Amazon MGM Head of Distribution Kevin Wilson, who was named to the position in April following the passing of longtime distribution
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Lionsgate Motion Picture Group executive Helen Lee-Kim has inked a new long-term deal as President, International.  The news comes before Lionsgate takes over the world this holiday season with the highly anticipated prequel, The Hunger Games: The Ballad of Songbirds & Snakes on Nov. 17, which was cleared for a SAG-AFTRA interim agreement; one of
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Let the feast begin: Thanksgiving releases and awards season contenders, Disney‘s Wish and Apple Original Films and Sony‘s Napoleon are set to open over the Wednesday to Sunday holiday stretch with respective grosses of $50M+ and $24M+. Both movies open on Thanksgiving eve, Nov. 22. Wish, if it hits its projection, would rep the biggest
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EXCLUSIVE: Cohen Media Group will be releasing Driving Madeleine, the next movie from Oscar-nominated director Christian Carion’s (Joyeux Noel), on Jan. 12, 2024 in limited release. Written and directed by Carion, and starring Line Renaud (Dirty Money, Cop or Hood) and Dany Boon (Nothing to Declare, Family is Family, Murder Mystery), Driving Madeleine follows the
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EXCLUSIVE: Bleecker Street‘s survival horror thriller The Origin, which debuted recently at Fantastic Fest, is getting a title change, now known as Out of Darkness and will hit theaters on February 9. Directed by Scottish helmer Andrew Cumming (Radiance, Clique) and written by Ruth Greenberg (The Spark) in both of their feature debuts, Out of
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Broadway box office held fairly steady heading into trick or treat season, with receipts for the week ending Oct. 29 at $26,480,578 (about 6% down from the previous week) and attendance at 218,581 (a slip of just 3%). Staying strong was Merrily We Roll Along, enjoying another sell-out week, with the roster’s top average ticket
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Refresh for latest…: Universal/Blumhouse’s Five Nights at Freddy’s is gaming its way to an estimated $130.6M global opening, higher even than we had it yesterday as this phenom is now eyeing a $52.6M bow from 64 international box office markets. As Anthony has chronicled, the domestic $78M opening is a stunner — and amid the
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Alexander Payne’s The Holdovers from Focus Features pulled in an estimated $200k on six screens in New York and LA for a per-screen average of $33.3k, a good limited opening on an upbeat specialty weekend that also saw A24’s Priscilla by Sofia Coppola off to a fine start. We’re in anomalous times with the ongoing
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