When it comes to the road to blockbuster glory, some projects are willed, some happen instantaneously, while others go through a long development hell. That’s just what happens when you’re perfecting toward a hopeful billion-grossing title. In the case of Mattel’s Barbie, it was arguably a 14-year journey that began at Universal. It stands to
Warner Bros
Vietnam has banned commercial screenings of Warner Bros’ Barbie due to a scene that depicts a map of the South China Sea with the “nine-dash line” that is contested by the Vietnamese government. The film, directed by Greta Gerwig and starring Margot Robbie and Ryan Gosling, was scheduled for release in Vietnam on July 21.
It is quite conceivable another near $200M weekend will be in store at the box office over the weekend of July 21-21. Warner Bros.’ highly anticipated comedic feature take on girl toy Barbie starring Margot Robbie in the title role and Ryan Goslin as Ken cruised on to tracking today and hot would be a
Warner Bros’ CineEurope show here in Barcelona was a starry, jam-packed affair featuring Zendaya and Timothée Chalamet who talked up Dune: Part Two, as well as their respective upcoming titles Challengers and Wonka. The proceedings kicked off with a pre-taped intro video featuring President of International Theatrical Distribution Andrew Cripps zipping along the 405 in
There are a lot of lessons to be learned this weekend, but chief among them, is what’s it like for a major motion picture studio to open a movie with largely a number of its cast, primarily its main star, not available to do press. That’s the big looming question which has been on everyone’s
D. Barry Reardon, former longtime Warner Bros. President of Sales and Distribution, has died at 92. The exec known as “The Dean of Distribution” among industry peers and filmmakers passed May 27 in Vero Beach, FL. Reardon was the head of theatrical distribution at Warner Bros from 1978-99, and was known for breaking the mold
Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream
When New Line/DC’s Shazam: Fury of the Gods hit tracking four weeks ago with a low $35M projection, it was shocking and not shocking to rival distributors. Shocking, because in a spring full of franchise tentpoles, many of which are seeing record opening domestic highs, how can a DC property like Shazam! not keep up
New Line’s DC sequel Shazam! Fury of the Gods got off the ground at 3 p.m. Thursday and posted $3.4M in previews at 3,400 theaters. That’s less than the first Shazam! back in April 2019, which did $5.9M in its Thursday previews (off showtimes that began at 4 p.m.). Shazam! also had another $3.3M in
Refresh for latest…: MGM’s Creed III is enjoying a knockout opening weekend, punching up $100.4M globally. Of that, $41.8M is from 75 international box office markets. Domestically, the Michael B Jordan-directed movie opened to a franchise record and the best debut ever for a sports title. Internationally, this is also the biggest opening for the
MGM’s Creed III is off to a powerful start at the international box office with the Michael B Jordan-directed movie grossing $6.9M through Thursday in 56 markets. The threequel, the first major title released overseas by Warner Bros under a multi-year pact that was entered last August, has another 19 markets to add today and
Warner Bros/New Line/DC’s sequel Shazam! Fury of the Gods hit early tracking Thursday and surprised many with a low projection of $35 million, which is under the first installment’s $53.5M opening in 2019. Realize it’s still early, and Warner Bros hasn’t fully fire-breathed its marketing campaign yet. The odd thing is that tracking was comping
With this year’s domestic box office expected to rise to $9 billion, of course, the major studios are taking Super Bowl LVII ad spots seriously. The big game, which last year attracted 112M viewers, remains an enormous bullhorn when it comes to drawing attention to your tentpole, and this year, starting with Disney/Marvel Studios’ Ant-Man
The motion picture industry remains in a state of rehabilitation. Just look at the majors’ domestic box office alone. Back in 2019, four studios grossed over a billion apiece, with Disney-Fox reaping $4.28 billion alone. This year, only three studios grossed $1 billion or more. And while we do get down to the nitty gritty,
The Alamo Drafthouse movie chain looks set to hit $350,000 in ticket sales this November and December from Jon Favreau’s Will Ferrell-starring holiday favorite Elf. The 2003 comedy, about a human baby raised in Santa’s North Pole workshop who returns to New York and saves Christmas, is the chain’s top all-time repertory title, with cumulative
There’s some snarking going on out there that Black Adam is poised to lose $50M-$100M, and that is simply just not true. Deadline film finance sources, meaning people who do this for a living and those close to the film, say this movie is bound to break even and be in the black. Scroll down
Bong Joon Ho’s Mickey 17 will hit theaters around the globe on March 29, 2024, Warner Bros said Monday. The studio already had the date staked out for an event film. Also opening that weekend is Sony’s Spider-Man: Beyond the Spider-Verse and an untitled event film from Universal. The pic from the Parasite Oscar winner
How great is the Ezra Miller movie The Flash? So good that Warners is moving it up by a week to June 16, Father’s Day weekend, where Disney has the original Pixar movie Elemental and Sony has the R-rated Jennifer Lawrence pic No Hard Feelings. Despite Miller’s tabloid headlines over the past year, including a
Warner Bros/New Line/DC’s Black Adam began rolling out at the international box office on Wednesday, and through Thursday has rocked to $13.8M from 57 markets. Today adds the UK and Spain as overseas release continues. Initial markets to go on Wednesday included France and Korea. In the former, the Dwayne Johnson-starrer has grossed $1M through
Warner Bros has shifted the release date by two weeks next year for Dune: Part Two going from Nov. 17 to Nov. 3 and still hanging onto Imax screens for the Denis Villeneuve directed sequel. The news comes as Disney/Marvel’s Blade evacuates the first weekend of November for Sept. 2024. Dune 2 stands unopposed. A
EXCLUSIVE: Keeping in line with Warner Bros. Discovery CEO David Zaslav’s business belief that movies are destined for theatrical, not streaming, the originally conceived Steven Soderbergh-directed HBO Max threequel Magic Mike’s Last Dance is heading to theaters on February 10, 2023 — Super Bowl weekend. Warner Bros already had the date set aside on the release
“I do think the studies will get paid, like they usually do, whatever they are owed. Because we are the suppliers and that’s usually what happens,” Lionsgate vice chair Michael Burns said Wednesday of the Chapter 11 filing earlier in the day by Regal Cinemas’ parent Cineworld. “Those things seem to go through the same
EXCLUSIVE: Deadline has learned that Warner Bros is making a slew of release-date changes next year. First of all, James Wan’s Aquaman and the Lost Kingdom needs more time in postproduction, so it’s moving from March 17, 2023 to December 25, 2023. You’ll remember the first Aquaman was released during Christmas 2018 and made $335.1 million domestic
Wise men say only fools predict that adult-skewing films won’t work at the pandemic box office. But older moviegoers kept falling in love with Warner Bros’ Elvis this summer, to the point where it’s now director Baz Luhrmann’s highest-grossing movie ever in U.S. and Canada with $144.851 million, beating the original run of his 2013 title
EXCLUSIVE: Two months into their run as Warner Bros Pictures Group Co-Chairs and CEOs, Michael De Luca and Pamela Abdy, have hammered out a multi-year deal to handle the international distribution of MGM’s theatrical titles, commencing with Luca Guadagnino’s Bones and All in November and continuing with the 2023 slate and beyond; the second title under
In a complete about-face from the business strategy employed by former WarnerMedia CEO Jason Kilar, Warner Bros. Discovery boss David Zaslav made it firm today that the new merged entertainment conglomerate “will fully embrace theatrical.” Period. “We have a different view on the wisdom of releasing direct-to-streaming films, and we have taken some aggressive steps
EXCLUSIVE: In the wake of Warner Bros Discovery axing Batgirl for HBO Max, they have put forward a silver lining: Todd Phillips’ Joker sequel, Joker: Folie A Deux, is getting a Oct. 4, 2024 release date. Warners already had the day on hold previously for an untitled DC event film, so it’s not shocking to see Joker 2 wind up during the first
Warner Bros is looking to excite family audiences that have OD’ed on Minions: The Rise of Gru with a new animated movie this weekend, the Dwayne Johnson– and Kevin Hart-voiced DC League of Super-Pets. The pic directed by Jared Stern and Sam Levine made $2.2M in Thursday night previews at 3,200 theaters. Industry estimates earlier
In a remarkable benchmark for an adult, female-skewing movie, especially with a 2 hour 39 minute running time, Warner Bros.’ Elvis has crossed the $100M mark at the domestic box office. As we’ve written, the feat provides a lot of promise on a number of levels. It’s a win for older counter-programming at a U.S./Canada box office
The start of the fall box office just got bleaker as Warner Bros is moving New Line’s adaptation of Stephen King vampire novel Salem’s Lot from Sept. 9 to April 21, 2023. I hear the move is due to Covid-related delays in the post production realm. The Gary Dauberman-directed pic also had a handful of days of additional
- « Previous Page
- 1
- 2
- 3
- 4
- …
- 7
- Next Page »