Disney

Refresh for latest…: Disney/Lucasfilm’s Indiana Jones and the Dial of Destiny is off to a disappointing start with a $130M global opening. Of that, $70M is from 52 international box office markets as the the fifth installment in the beloved 42-year-old franchise came in below projections. Anthony has run down the reasons behind the domestic
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EXCLUSIVE: Disney/Lucasfilm’s Indiana Jones and the Dial of Destiny is posting an estimated $6 million-$7.5 million Thursday night, per sources, which is where previous older-skewing action-guy comps live. We’re specifically referencing the Thursday night starts of No Time to Die, which grossed $6.3M (started at 4 p.m.) before its $55.2M opening weekend in October 2021,
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Disney was the final studio to present here at CineEurope in Barcelona, highlighting 17 upcoming films and bringing A Haunting in Venice star/director Kenneth Branagh to town, as well as a live performance of “This Wish” from animated adventure Wish which releases in November. Head of Global Theatrical Distribution, Tony Chambers, started off the show,
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It feels like Covid all over again, but it’s not. Disney has just made a slew of release-date changes, many due to the impact of the WGA strike and screenplays not being ready and productions paused. We already know that Thunderbolts and Blade are waiting the strike out before rolling cameras. Scripts aren’t fully ready
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In the wake of world premiering in Cannes to lackluster film reviews at 50% Rotten, Disney/Lucasfilm’s Indiana Jones and the Dial of Destiny is currently looking at a $60M+ domestic opening. The movie opens on June 30 heading into what is conceivably a five-day play period given that Independence Day falls on a Tuesday. Dial
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EXCLUSIVE, late Thursday PM: Sources are telling us that Disney’s Rob Marshall directed The Little Mermaid is singing some high notes tonight of $10M+ in previews. Should that figure exceed $10.8M it will rep the 6th highest preview performance among PG and G rated titles in motion picture history. Tracking pegged the Halle Bailey movie
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In a rare situation for a Disney tentpole, particularly a live-action title based on a treasured classic animated musical, The Little Mermaid looks to bank more at the domestic box office ultimately than overseas, with $300M-$350M U.S./Canada to $260M abroad. At that level, per finance sources, off a reported $250M production cost and $140M global
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James Cameron climbs the ladder to cut the net for winning Deadline’s 2022 Most Valuable Blockbuster Movie Tournament after Avatar: The Way of Water cleared over a half-billion dollars in profit after all ancillaries. Given the sleeper nature of this sequel, and given the overall boom expected from this year’s global box office to $32
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Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream
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Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream
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Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream
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Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studio’s respective streaming platforms became more prevalent. Coming back from that pandemical brink, the motion picture studios have largely returned to their theatrical release models
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SATURDAY UPDATE, Refresh for latest…: Disney/Marvel’s Ant-Man and The Wasp: Quantumania flew into another eight overseas markets on Friday, taking the international box office cume through yesterday to $52.6M. Globally, it’s just kissing $100M at $98.6M. The full global weekend is eyed at about $225M+, lower than where we saw it coming into the launch,
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FRIDAY AFTERNOON: Disney/Marvel Studios’ Ant-Man and the Wasp: Quantumania is headed to being the third highest opening for Presidents Day weekend as well as February. While 4-day estimates are wild between $115M-$125M, today is shaping up to be around $44M (that includes last night’s $17.5M) for a 3-day at $100M at 4,345 theaters. These are
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New York Times bestselling author and CEO of the multimedia Hollis Company, Rachel Hollis, took to social today about the sudden loss of her ex-husband, former Disney President of Worldwide Distribution Dave Hollis. Dave Hollis passed away Saturday at 47. No cause of death had been determined, but the family confirmed that the former Disney
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The tentpole drought, created by the pandemic’s post-production logjam, is officially over this weekend as Disney and Marvel Studios’ Ant-Man and the Wasp: Quantumania opens the floodgates on what is a consistent flow of event movies from this Friday until early September. Early tracking four weeks ago indicated $120 million in U.S./Canada box office over
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With this year’s domestic box office expected to rise to $9 billion, of course, the major studios are taking Super Bowl LVII ad spots seriously. The big game, which last year attracted 112M viewers, remains an enormous bullhorn when it comes to drawing attention to your tentpole, and this year, starting with Disney/Marvel Studios’ Ant-Man
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Earlier this week, James Cameron’s Avatar: The Way of Water became the No. 5 highest-grossing movie ever worldwide, and, as expected, has now surfed to the No. 4 position on the all-time chart. In so doing, it leaves Star Wars: The Force Awakens in its wake with nearly $2.075B globally.  Through Friday, the worldwide gross
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Disney/Marvel Studios’ Ant-Man and the Wasp: Quantumania arrived on tracking today with a projected 4-day $120M opening per industry sources. The threequel arrives in theaters on Feb. 17 and is the first in an avalanche of largely weekly tentpole fare which has been absent from the marketplace since the summer. That result for Quantumania will
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It’s been a long time coming, but it looks like China’s unofficial ban on Marvel is lifting. Disney/Marvel’s Black Panther: Wakanda Forever and Ant-Man and The Wasp: Quantumania have both secured release dates in China, ending a three-and-a-half year period during which movies featuring Marvel characters did not gain entry to the world’s second largest
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A flying ace, rampaging dinosaurs, Marvel, DC, Minions and battling blue aliens on a distant planet were among the highlights of 2022 for the Hollywood studios at the global and international box office. Still, it was yet another year of transition, with worldwide grosses reaching an estimated $26B — a 27% increase on 2021 but
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Don’t say Disney isn’t a practitioner of theatrical windows: Their $821M-plus grossing Marvel Studios hit Black Panther: Wakanda Forever will finally land on Disney on Feb. 1, 82 days after its U.S. theatrical release. The movie opened on Nov. 11 to a stateside gross of $181.3M, $331.6M WW. While the previous Bob Chapek-led era of
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James Cameron’s Avatar: The Way of Water has now officially, and as projected, crossed the $1 billion mark at the international box office with Tuesday’s grosses included. What’s more for this 20th Century Studios/Disney juggernaut, at $1,482.5M worldwide through Tuesday, the epic sci-fi sequel is next on its way to yet another milestone and will
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