Blumhouse

Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering
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There’s always been a demand for horror in the New Year, and Universal, Blumhouse and Atomic Monster are meeting that this weekend with Night Swim which made $1.45M in previews at 2,750 theaters from showtimes that began at 5PM. The PG-13 movie isn’t expected to be M3GAN, the early PG-13 horror doll hit from last
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EXCLUSIVE: Here’s an eyebrow raiser in the wake of a zany box office season turned upside down by the actors strike, and ruled by Taylor Swift: Universal/Blumhouse‘s feature take of videogame, Five Nights at Freddy’s, is shaping up for an opening around $40M. That would be the second-best opening at the fall box office YTD
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Universal/Blumhouse/Morgan Creek’s The Exorcist: Believer will continue horror’s head-spinning roll at the autumn box office with a $30M-$36M domestic start at 3,600 locations. Currently, the R-rated reboot/sequel is trending demo-wise like The Nun 2, which saw a $32.6M opening, meaning it’s great with the 18-34 demographic, Hispanic and Latino audiences as well as older guys.
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With this weekend’s grosses, Sony/Screen Gems/Stage 6 Films/Blumhouse’s Insidious: The Red Door has become the biggest horror movie of the year globally at $182.5M, edging M3GAN’s worldwide cume of $180.8M. The current frame was worth $2.5M from 59 overseas markets for an international cume of $101.8M. The Insidious franchise has now earned over $735M worldwide. Already last frame, the Patrick
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When it comes to horror movies at the box office, Sony resurrected its track record this past weekend with the opening of Blumhouse/Stage 6 Films’ fifthquel, Insidious: The Red Door which had a $32.65M domestic opening, $64M Worldwide debut. On the domestic front, that’s the second best horror opening for Sony after 2004’s The Grudge
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In a turnabout, China is handing out release dates for Hollywood movies at a clip these days — and with a fair bit of notice. Yesterday, we learned that Paramount/eOne’s Dungeons & Dragons: Honor Among Thieves will go day-and-date on March 31, and today comes news that Universal/Blumhouse/Atomic Monster’s hit M3GAN has been granted a
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EXCLUSIVE: James Wan has been labeled by fans for being responsible for killer doll movies, specifically his Conjuring franchise spinoff, Annabelle. “It’s funny, I really hadn’t done that yet,” says the horror auteur. And that was his prime reason to create M3GAN with screenwriter Akela Cooper. “In my previous doll movies — they don’t kill
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John Cho and Katherine Waterston will headline Sony–Blumhouse-Depth of Field’s They Listen, directed by Chris Weitz. A theatrical release of Aug. 25, 2023 has been set; it’s the only wide release that weekend. You’ll remember the Cho thriller Searching debuted in late summer and was a microbudget hit grossing over $26M stateside, and north of
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NBC Universal chief Jeff Shell was coy yet clearly jazzed today about the possible merger of prolific horror producers Jason Blum and James Wan’s respective companies — Blumhouse and Atomic Monster – saying “I can’t confirm it,” but, “If that should happen, we are going to be in an absolutely impregnable position.” He spoke at the UBS media conference today. The two
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Universal’s release of Blumhouse, Miramax and Trancas’ Halloween Ends saw a Thursday night of $5.4M from 3,200 theaters. Showtimes began at 5PM. That figure is +11% from last year’s Halloween Kills‘ previews which were $4.85M. The third Halloween movie from David Gordon Green in a subset trilogy within the franchise is set to make around
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After great reviews at 100% on Rotten Tomatoes after its world premiere at Fantastic Fest and a great response to the trailer at CinemaCon, Universal is moving Blumhouse’s Scott Derrickson directed feature from Jan. 28, 2022 to Feb. 4, 2022. The following weekend is the Valentine’s Day-Presidents Day stretch which is an ideal period for Black
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Universal joins Disney and 20th Century Studios in planning a theatrical release schedule for 2024, however, the studio didn’t name any titles. The only hardcore titles that has been dated in 2024 is Warner Bros./Village Roadshow’s Mad Max spinoff Furiosa on May 24, Memorial Day weekend, starring Anya Taylor-Joy, Chris Hemsworth and Yahya Abdul-Mateen II and 20th Century
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EXCLUSIVE: The Purge franchise architect James DeMonaco has crafted a personal film, which is an ode to cinema, based in his hometown of Staten Island, entitled This Is the Night and the Blumhouse release has a one-week theatrical run starting this Friday, Sept. 17 at Angelika’s Village East in New York City before hitting PVOD on Sept. 21 via
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Universal Pictures and Blumhouse Productions have selected Jan. 28, 2022 for the release of Scott Derrickson’s next movie The Black Phone. Uni already had the date on hold for a Blumhouse title, and this is the one. The Black Phone is currently the only wide release on that date, coming in the wake of Sony/Marvel’s Morbius on Jan. 21.
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In a snap, Universal was ready to backfill July 2 today with its long-awaited Blumhouse sequel The Forever Purge with the news of Paramount/Skydance’s Top Gun: Maverick leaving the Fourth of July weekend for Nov. 19. The last two Purge movies, 2018’s The First Purge and 2016’s Purge: Election Year played the July 4th corridor. The Forever Purge moves up from July 9. The
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SATURDAY AM UPDATE: Universal/Blumhouse’s genre body swap comedy Freaky, starring Vince Vaughn, took in $1.45M yesterday, including Thursday night previews ~$200K, on what looks to be a $4M opening at 2,472 theaters. Universal, the only major Hollywood studio putting out consistent fresh wide product during the pandemic, can claim a three-week streak at No. 1 between
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Blumhouse has entered into a three-picture deal with sought-after British director Rob Savage, which the studio will finance and partner with the filmmaker to produce. Savage will be collaborating with the same team behind Host, including producer Douglas Cox; writers Jed Shepherd & Gemma Hurley; and editor Breanna Rangott. “We’ve been tracking Rob’s work for
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Universal will be releasing Blumhouse’s Freaky on Nov. 13. The black horror comedy, directed by writer-director Christopher Landon (Happy Death Day, the Paranormal Activity franchise) follows a teenage girl who switches bodies with a relentless serial killer, The Butcher. Kathryn Newton of Blockers and HBO’s Big Little Lies stars as 17-year old Millie alongside Vince Vaughn who plays the
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Universal is moving a group of Blumhouse titles deeper into the theatrical release calendar including Miramax-Trancas International co-productions Halloween Kills and its sequel Halloween Ends, and The Forever Purge. In addition, MGM-Bron Creative-Monkeypaw’s Candyman is moving three weeks later. David Gordon Green’s Halloween Kills, which is in post, moves from Oct. 16 to Friday, Oct. 15, 2021 which is where
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Universal and Blumhouse are taking their Kevin Bacon–Amanda Seyfried psychological thriller You Should Have Left straight into homes on Friday, June 19 for a North America PVOD release.  The pic was directed by Jurassic Park and Mission: Impossible scribe David Koepp which he adapted from the German novel by Daniel Kehlmann. Bacon and Seyfried star as a couple seeking
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