Updated: Westworld co-creator Lisa Joy’s feature directorial debut Reminiscence is going a week earlier on Aug. 20. Why? Essentially it prevents the film from playing right into Disney/Marvel’s Shang-Chi and the Legend of the Ten Rings which should dominate Labor Day weekend (that is if that film stays theatrical). Reminiscence is also going day and date in theaters and on HBO
Warner Bros
SATURDAY AM UPDATE: Refresh for more analysis Wow, it’s a great weekend at the box office, even by pre-pandemic standards. Two movies, both R-rated and aimed fanboys, aren’t squashing one another, but equally set to gross over $19M apiece this weekend. We’re talking about New Line/HBO Max’s Mortal Kombat and Funimation/Aniplex’s Demon Slayer -Kimetsu no Yaiba- The Movie:
Despite AT&T CEO John Stankey’s victory lap today about WarnerMedia’s theatrical and HBO Max release strategy with Godzilla vs. Kong, the studio’s R-rated title, Mortal Kombat, is facing a serious threat at the weekend box office from a traditional theatrical release and rival Asian IP, Funimation’s Demon Slayer -Kimetsu no Yaiba- The Movie: Mugen Train. Since
With a confirmed, and late-breaking, re-release date, Peter Jackson’s The Lord Of The Rings: The Fellowship Of The Ring has been scheduled to hit China’s movie theaters tomorrow (April 16). The second film, The Lord Of The Rings: The Two Towers, will follow next Friday, April 23. The Oscar-winning New Line trilogy will play in
Here’s something nobody was expecting during the pandemic at the global box office: An event film which is bound to profit. Film finance sources have been telling us that as Legendary’s Godzilla vs. Kong hits $357.8M WW today, the pic is already set to bring cash back to Warner Bros. –an estimated $96.4M currently–even with the
Warner Bros. pandemic hit Godzilla vs. Kong grossed $3.88M on Friday, which will yield an estimated $12.9M second weekend at 3,084 theaters (+20), -60%, on its way to $69M domestic by the end of tomorrow. In the Legendary title’s first week, the monster movie has grossed $60M, making it the top grossing pic stateside during the pandemic
Refresh for latest…: After logging the best pandemic-era start for a Hollywood movie at the international box office last weekend, Warner Bros/Legendary’s Godzilla Vs Kong has punched up $285.4M worldwide through Sunday. The overseas running total, which added $76.1M this weekend, is $236.9M, giving GVK bragging rights as the quickest studio movie released during Covid
Saturday AM Update: Godzilla vs. Kong is now up to $27.9M in three days after an $11.6M Friday at 3,064 locations, +73% over Thursday. The 5-day projection for the Adam Wingard-directed Warner Bros/Legendary title is $42M — far and away the best opening (3 and 5-day) we’ve seen at the domestic B.O. during the pandemic, meaning
Yesterday, moviegoers demonstrated that they were truly yearning to go back to the movies. How’s that? Warner Bros.’/Legendary’s Godzilla vs. Kong posted what is a record opening day during the pandemic with $9.6M at the domestic B.O. from 2,409 theaters or $3,98K per location. Since mid-March 2020, when theaters closed, and slowly returned in late
Unlike Easter last year, we’re actually going to be able to go to the movies this weekend. With drive-ins solely operating a year ago in the U.S. and Canada as the main means of moviegoing, Universal released their DreamWorks Animation title Trolls World Tour into homes on PVOD for the rental price of $19.99 (over 48
UPDATED: Warner Bros. has pushed up the release date for Hugh Jackman-starrer Reminiscence. Previously set to hit theaters and HBO Max on September 3, the film will now debut a week earlier, on August 27. The move takes the film out of Labor Day competition, with Paramount’s Jackass 4, Screen Gems/Constantin’s reboot of Resident Evil starring Kaya Scoldelario, and Marvel’s
Refresh for latest…: Warner Bros/Legendary’s Godzilla Vs Kong thrashed off to an estimated $21.5M (RMB 140M) start in China today, good for the best opening day of a Hollywood title in the market since Covid began and portending a weekend in the high $60Ms. The film positively dominated the Middle Kingdom with an 88% share and played
Cineworld CEO Mooky Greidinger said today that the No. 2 global exhibitor is “actively negotiating terms and structures of evolving theatrical windows with our studio partners.” He made the comment on an earnings call after Cineworld reported 2020 results which included its first-ever annual operating loss ($2.26B) as the industry has been greatly impacted by
It is extremely ironic that on the same day when Warner Bros. throws in the towel on its day-and-date HBO Max theatrical release plan (for 2022) that Disney would take one of their most highly anticipated Marvel movies, Black Widow, and move it to a day-and-date theatrical Disney+ PVOD plan after the muted performances of
Warner Bros/Legendary’s Godzilla Vs Kong will slug it out in 38 offshore markets this weekend beginning Wednesday in such hubs as Mexico, Taiwan, Indonesdia and India; followed by Russia, Korea and Australia among others on Thursday and China notably on Friday. The Adam Wingard-directed pic is releasing abroad ahead of domestic which falls on March
Cineworld and Warner Bros have hatched a multi-year agreement that will see the No. 2 global exhibitor show the studio’s 2021 theatrical and HBO Max day-and-date titles in the U.S. as of their theatrical release. Then, beginning in 2022, Warner Bros theatrical releases will have a 45-day window of theatrical exclusivity at Cineworld’s Regal chain
Warner Bros. will open Cry Macho from Clint Eastwood on Oct. 22. The multi-Oscar winner will star and direct the feature based on N. Richard Nash’s novel. The pic will hit theaters and HBO Max day-and-date as that’s Warner Bros.’ plan for its 2021 slate. Eastwood stars as a one-time rodeo star and washed up horse breeder
Warner Bros’ Musical Feature ‘In The Heights’ Moves Up A Week This Summer – Deadline You will be redirected back to your article in seconds Skip to main content March 18, 2021 6:03pm Services to share this page. In more goods news for exhibition in the upcoming summer schedule, Warner Bros.’ Jon M. Chu directed
Updated Monday AM: Warner Bros is reporting this morning that Tim Story’s Tom & Jerry didn’t do $13.7M for the weekend, rather $14.1M. That’s a very good indication that an upbeat vibe is developing among moviegoer confidence as this pandemic slowly starts to draw its curtains. Rival studio estimates as of yesterday AM had Tom & Jerry
Refresh for latest…: Warner Bros’ hybrid live-action/animated feature Tom & Jerry began offshore rollout in mid-February, and this session became the first studio title to hit China in the wake of the Lunar New Year, as well as adding a host of other new markets. The Hanna-Barbera rascals scampered off with a further $19.4M from
Warner Bros. day and date theatrical release of Tom & Jerry in theaters and on HBO Max had what would be considered a very solid day during the pandemic with $4M on Friday and an expected $12.5M expected over three days according to Warner Bros. That’s a number that beats the 3-day of Universal/Dreamworks Animation’s Croods: New
EXCLUSIVE: The viewership for New Line’s red band trailer of Mortal Kombat has clocked 116M views in its first week, becoming the biggest red band trailer of all-time, besting the 4-day mark of Logan and Deadpool 2 and continuing to do so. The trailer for the Simon McQuoid directed feature trended in 52 total markets on YouTube
Warner Bros. has put Westworld co-creator Lisa Joy’s feature directorial debut Reminiscence back on the calendar after temporarily pulling it off; the Hugh Jackman sci-fi thriller set to hit theaters and the HBO Max service on Sept. 3, Labor Day weekend. The movie previously had a release date of April 16. Currently scheduled for a Labor Day theatrical release
A year after Covid raged in China, the country’s box office is all sewn up and back together with Detective Chinatown 3 besting Avengers: Endgame‘s U.S./Canada all-time opening with a $394M weekend. But here in the states, we’re still trying to get the pandemic under control, and winter storms which impacted 100 million Americans according to the
Refresh for updates and top 10 chart: On one of the most difficult box office dates on the calendar, Super Bowl weekend, and during a pandemic, Warner Bros.’ second weekend of its Denzel Washington-Rami Malek-Jared Leto thriller The Little Things made $2.1M at 2,206 theaters, -55% from its first weekend; putting it’s running domestic total through ten
Warner Bros. just announced that Taylor Sheridan’s Those Who Wish Me Dead will debut on May 14 this year. Remember, that means both in theaters and on HBO Max on opening weekend. The female-driven neo-Western which is set against a wildfire in the Montana wilderness stars Angelina Jolie, Nicholas Hoult, Jon Bernthal, Tyler Perry, Aidan Gillen, Medina
Refresh for more analysis and Top 10 chart: If you’re looking for any exciting financial action to come out of the movie business, it’s not at the box office, but the stock exchange. The continued closure of movie theaters during Covid, with only 45% of all 5,8K U.S. and Canada movie theaters opened, yielded Warner
Baz Luhrmann’s untitled Elvis Presley movie, currently in production in Australia, is moving from its Nov. 5, 2021 date to June 3, 2022. The movie will explore the life and music of Elvis Presley (portrayed by Austin Butler), seen through the prism of his complicated relationship with his enigmatic manager, Colonel Tom Parker, played by
Harry Potter and the Philosopher’s Stone. (Warner Bros) “Early-stage exploratory meetings” are reportedly underway for a Harry Potter live-action TV series, and to say LGBT+ fans have had it is an understatement. Unnamed sources told The Hollywood Reporter that HBO Max executives “have engaged in multiple conversations with potential writers exploring various ideas that would
Warner Bros will be releasing Wonka on March 17, 2023, a prequel to Roald Dahl’s Charlie and the Chocolate Factory which focuses on the candy architect Willy Wonka’s younger days before having his confection empire. The movie has been in development for roughly four years. David Heyman was always attached as producer, and Paddington director Paul King is helming.