IMAX

Refresh for latest…: Warner Bros’ hybrid live-action/animated feature Tom & Jerry began offshore rollout in mid-February, and this session became the first studio title to hit China in the wake of the Lunar New Year, as well as adding a host of other new markets. The Hanna-Barbera rascals scampered off with a further $19.4M from
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Refresh for latest…: Chinese moviegoers ushered in the Year of the Ox with the colossal three-day debut of Detective Chinatown 3 grossing an estimated RMB 2.56B ($397M). This tops Avengers: Endgame’s 2019 five-day China bow of RMB 2.22B to make DC3 not only the biggest opener in Chinese history, but also giving it bragging rights
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Talk about pent-up demand. Detective Chinatown 3, which was originally scheduled to hit Chinese cinemas during the Lunar New Year period in 2020, has sprung out of the gate today with an astonishing Maoyan-estimated RMB 1.05B ($163M) to score the biggest opening-day gross ever of any movie in a single market. The debut overtakes Avengers:
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Disney/Pixar’s Soul continues to shine overseas with a $96.2M cume after seven frames. In 11 markets this session, the Pete Docter-helmed original added $6.9M to its international box office kitty with No. 1s again in Russia and Korea. In China, it has surpassed Incredibles 2 to become the market’s 2nd highest-grossing Pixar title ever. China
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Refresh for latest…: Disney/Pixar’s Soul got off to a jazzy start in Korea this weekend, debuting at No. 1 and seeing the second best bow for a non-local title since the Covid pandemic began. The Pete Docter-directed original also launched in Russia, at No. 1, and came in ahead of several pre-Covid animation openings. In
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International box office was led again by China this weekend with local titles A Little Red Flower and Shock Wave 2 at the top of the charts, and Disney/Pixar’s Soul continuing its jazzy run there. The Pete Docter-directed original is soon to become Pixar’s No. 3 highest-grossing title ever in the market. Other weekend highlights
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With an estimated $12.4B in global grosses, $10.2B of which came from the international box office, 2020 was off overall by 71% and 67%, respectively, from 2019 according to Gower Street Analytics. It’s a year the world at large would like to forget, but in industry terms it provided interesting phenomena to reflect upon even
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Refresh for latest…: There was a bit more varied action at the international box office this weekend, including the continued rollout of Warner Bros/DC’s Wonder Woman 1984, a sizable start for China’s Shock Wave 2, the debut of Disney/Pixar’s Soul, The Croods: A New Age nearing $100M global, and a brand new milestone for Japan’s
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Refresh for latest…: Sunday’s international box office reporting looks vastly different to what was expected coming into the weekend. A Friday gross that portended a high-teens launch for Monster Hunter in China was quickly thwarted when local authorities pulled the feature game adaptation from the country’s cinemas. This was the result of an online backlash
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“There is no way to sugarcoat this for the theater operators,” said one Wall Streeter as exhibition stocks plunged Thursday on WarnerMedia’s bombshell – a reimaging of its entire 2021 release slate that hit an exhibition industry already teetering on the brink. Cinemark shares– up earlier in the session — lost nearly 22% of their
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DreamWorks Animation/Universal’s The Croods: A New Age led the weekend in China with a $19.2M debut, outpacing local titles One Second and Caught In Time as it got a huge Saturday boost. This is the third best bow for a studio movie in the Middle Kingdom during the pandemic era (behind Tenet and Mulan). In
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Refresh for latest…: The international box office continues to be led by Asia, with Demon Slayer The Movie: Mugen Train still enjoying runaway success this weekend. Currently the No. 5 all-time biggest movie in Japan, the anime adaptation should climb up to No. 2 sometime in the next week or so. This session, the cultural
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Refresh for latest…: China’s National Day holiday officially ended last Thursday, with takings for the October 1-8 period at an estimated RMB 3.95B ($589M) as the market continues to close the 2020 gap with domestic. This weekend saw continued play for the key titles, led by patriotic pic My People My Homeland which added another
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Refresh for latest…: Christopher Nolan’s Tenet handily passed $200M overseas this weekend with a $25M offshore frame to bring the overseas box office to $214M. Including domestic, the global cume is now $250.1M. Boosting play overseas, as we noted yesterday, was the Japan bow which came in a a strong $4.3M in the No. 1
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Imax CEO Rich Gelfond anticipates streamers will become more active in exhibition as the post-COVID business shakes out and said his team is turning gray at the stress of constantly shifting release schedules — even as Deadline reports that Warner Bros. is thinking of pushing Wonder Woman 1984 to late December. “One of the reasons
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Refresh for latest…: Christopher Nolan’s Tenet added a further estimated $58.1M at the international box office this weekend, taking the overseas cume on the Warner Bros title to $126M after two sessions. With the time-bending film debuting in the U.S. this frame, the estimated worldwide total is $146.2M. The global weekend figure of $78.3M includes
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Christopher Nolan’s Tenet has begun its offshore rollout, and while Warner Bros is keeping a tight lid on grosses until fully reporting Sunday, some international box office information is available on the highly-anticipated title. In Korea, one of the key plays on Tenet, the Wednesday opening day was a little over $827K from 2,228 screens.
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After pulling in $33.5M across five days of previews at the Chinese box office, local war epic The Eight Hundred overwhelmingly stormed theaters today, its first official day of release. Adding roughly $20M across the country on Friday — the biggest single-day box office since cinemas resumed operations — the Middle Kingdom cume is now
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